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what to do

Hi. I am a painter and have reached a point of not knowing the best direction for my work.  I am sure iI am not alone...I have tried to transfer some of the ideas and images but I am yet to discover the best means of producing stuff.....It's a real challenge....God gives says...'what's in your hand, Moses' in reply to our questions...I would love to produce sellable and attractive art.

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Process, and My Mind is Weird

Well, I'm aiming to post updates Thursdayish, if I have something to say. I'm excited to contribute to the site and be an active member here. If anybody has tips or comments, please tell me! I live in a tiny rural area, my alma mater is an hour away, and my husband is... pragmatic. I love the pragmatism most days, but discussing writing and art is a ticklish sort of business. At this stage, my project is all pie in the sky and a few really rough sketches. It's a little difficult for him to engage with. Until I get it fleshed out and closer to the finished product, it's just going to be hard to discuss. So I'm really glad to be here where I can bore you all to death with my creative musings. Maybe I'll even be some use. :)I haven't done a comic book or graphic narrative before, and honestly I'm not quite sure which this will be. When I'm writing, I can tell if I'm working on a short story or a novel because I have a sense of how many words it will take to tell the story. But as this is the first time incorporating pictures, I have less of a handle on how big it will be and consequently, how to publish it.I also had problems with drafting the story in a linear fashion. By starting at the beginning, I tended to include things that weren't necessary, and I had to go back and add things in as I thought of them. So instead, I sketched a two-page spread of the sequence where my character decides to change her life. That *had* to be there, I knew. From there I worked my way backward in the story - what logically comes before that, and what are the important elements to include? Eventually I got to the beginning and in the process, the story became much more clear.While working my way back from my main character's major transition, I realized that a plot point I was a bit foggy on needed something to hold it together - a common thread of motivation for all the characters - and then I realized I already knew what it was. I'd just been hoping I didn't have to deal with it until later. I had been concerned about how to introduce it so that it wasn't sudden and didn't seem exploitative, because while awareness is needed on the subject's real-world counterpart, sensationalizing it wouldn't be helpful. Well, that problem is gone, because it's part of the story from the very beginning. Of course that opens a whole new can of trouble. Right now, all I can say is that it's a good thing I don't care about offending anyone or who is going to buy it at this stage, because it's starting out a lot darker in tone than I had thought it was going to get in volume one. That darkness is not likely to be what anyone expects of me. I'm afraid to show it to anyone I know before the whole story arc is complete, because while I know it's a story about redemption, it looks hopeless and messed up a lot of times. I know that's what makes a good story (that and telling it well) but I don't know anyone IRL who makes up fictional characters in order to make their lives miserable in order to create a good story. Knowing that God gave me this story to tell is... Not a good way to explain how I happen to be writing this. That does keep me going, though.Understand, now, whenever I practiced my art or writing and showed it to anyone, I pretty much got the same treatment. They would stare, puzzled as to why I chose this subject, or point to the girl I drew from my imagination and ask, "Is this you?" I realize they just want to say something that relates to the picture and it seems like a safe question, but now I have a hard time separating myself from my work! I wonder where someone is going to see me in it, when my role is to disappear and let the story stand on its own.It's hard to get the courage to send anything for a critique. I know it isn't perfect, that's why it needs a critique, but how can I let someone see it if it isn't perfect?!It's hard to read a critique. I send it to narrow down the places where it isn't perfect and ask where I can improve it, and then I get it and it is Proof that my work isn't perfect and I'm never going to be good enough!I *know* this is crazy and counterproductive. Knowing that might make it easier to deal with, but it doesn't make that visceral terror of judgement go away.Anybody else dealing with fear in storytelling? Any tips are appreciated!
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A Philosophy for Depicting Violence

some time ago, considering the violent and otherwise depraved nature of the world i'm depicting in my project, i was confronted with the need to figure out how to communicate such subjects in such a way that honors God, as the entirety of my work intends to.

i've seen christian media promote pacifism, or at least non-violence in the past, and knew that such a tactic was inappropriate for the subject matter i'd be dealing with, would not work with the story, and was actually and honestly completely unattractive to me. my initial disturbed assessment of myself with my complete lack of interest in violence-less media was to think that i was so depraved an individual that i could not enjoy a story without violence and gore, that i was the product of secular media, and that there was nothing i could do about it. pressing further into this issue as i confronted my current dilemma, i realized that yes, despite my depravity and how desensitized the media i had consumed had made me, pacifistic-christian action oriented media actually does contain a deficit.

without the protagonist being able to respond with violence, the antagonist cannot act evil enough for a story to hold my interest. if a storyteller has set a tone where non-violence ultimately prevails, usually the Big Bad Evil Guy lacks any real depth, anything that actually, believably needs to be fought against. this creates a deficit i react by filling with non-interest.

again, i'm depraved, but i feel that this is an issue closer to the basic character of mankind and what we seek in media. we need something to rally for, and we get that by having something significant to rally against. when we neuter either side of that equation, i believe we lose depth and the audience. when we lose the audience, we lose out on our opportunity to get our point across, and since for me, communicating that point with a medium is my ministry, that's not an acceptable loss.

furthermore, i think pacifism is a red herring modern christian media promotes. we are directed not toward pacifism in the bible, but toward activism. we are to be proactive turning the other cheek, not passively accepting only the first blow. we see Paul take beating after beating as an apostle in the New Testament, but there's more to that than what we've adapted as a hippie ideal. i believe if Paul found himself in a situation where he was in position to defend someone defenseless facing imminent physical danger from a murderous antagonist, Paul would act immediately, appropriately, and probably violently.  

We see a lot more violence in the Old Testament than we do in the New, but in the same way that God's character does not actually change between the two, neither does the actual historical violent content of the times, just the content of what the bible actually communicates. even Jesus, who is earlier depicted very humble and accepting of the violence He endures comes back in Revelation as the leader of the armies of heaven, who wipes the earth clean with his return, and not in a pleasant, harmless, non-offensive fashion. 

So, to the actual depicting of violence and other forms of sinful depravity, what is to be done? i've come up with a basic philosophy for how i intend to communicate those subjects, not in such a way as to conform to the world and just do as the popular secular media does, but in such a way that doesn't pull any punches, lose any interest, and continues to honor God. 

The Rules:

don't pull any punches. stay honest about the negative content in your story. don't curb or muffle communicating the evil content in your work, because real life has evil content that will not be curbed of muffled, and what your communicating, that there is a better way, that evil is worth fighting against, is worth communicating.

don't honor the violence. secular media creates and glorifies hero's who excel at violence, who are worshiped by their fan base because of how effective their violence is at solving their problems. while violence might solve the immediate problems your protagonists are facing, it should not be the central focus of your story, like in an action movie or an issue of Punisher. 

depict violence realistically. this will vary depending on the content of your work, for instance you can play fast and loose with an angels vs. demons kindof story, but if you're depicting something more flesh oriented in nature, be realistic. rarely does someone walk away from a fight unscathed, and rarely does an injury not significantly interfere with not only continuing to fight, but daily life in general. if your protagonists are constantly wading into battle and coming out the other side incurring no losses or injuries, your antagonists are lacking any real reason to be feared or fought against. 

consider the audience. your work will be consumed by what is probably a younger audience, which hopefully will be first reviewed by their parent-types. your violence is going, to at least some degree, desensitize them. that's not always a bad thing, imagine an EMT who's not been desensitized to the sight of blood, their going to be useless in their life saving role. your violence, gore, and other depraved subject matter must desensitize in such a way that prepares them for life, and for the secular media they will also be consuming. make it a point to communicate the 'why' of your violence, the correct and incorrect role it should play, and the contrast in the way it should be consumed. i want a young reader walking away from my work armed with the ability to shirk off the violence glorifying portrayals they're going to be consuming everywhere else in life outside of the realm of christian media. additionally, if your work is too violent, too gory, then not only will the parent filter probably prevent your audience from actually consuming your work, it probably wont be sold by discerning vendors like family owned christian book stores, which is your most likely eventual storefront.

your work should not arouse. this works directly for sexual content you choose to include and peripherally for violent content. if you depict sexuality, you should do so in such a way that does not 'turn on' your audience. this is a tricky minefield to navigate, but review your work continually, figure out how to do that. your purpose is not met, and your work counter productive if you actually lead your reader into sin and not away from it. violence works the same way, it's okay for a reader to come away from a story wanting to learn martial arts, sword fighting, acrobatics or similar, it's not okay if your reader leaves your work inspired to solve their problems by shooting up their school.

anyway, these are my guidelines to date, their still evolving and being refined as i figure this stuff out for myself, i hope this is helpful to anyone out there who's trying to honor God with their work in a similar fashion. 

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I have returned!!! (again)

Goodness, how long has it been THIS time?? Looks like about two years!

I'm so sorry about that! But let me list off everything that I've been working on since then!

  • God has been blessing me so much especially in my art work! I've been working on my web comic The Sparrow Cafe which is about a teenage american girl living in Mexico as a missionary kid. 
  • Because of that I've been featured in twelve gates magazine, an online magazine that features christian mangas and comics. I've been with them for about 7 months and so far its been a blast!
  • This has been a great way to go to different churches talking to youth groups and young artists about working as a comic-lady and spirituality in comics. I've enjoyed all the trips and talks! 
  • Finally I'm working on writing my first book about life growing up as a missionary kid in Mexico. I'm almost done and I'm working hard!!

So thats about the gist of it. I wish I can write some more but its incredibly early and I MUST get some sleep. I'll be sure to add more artwork, blog some more and get more involved on the site. 

Glad to be back!

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Process (What I'm Learning So Far)

Nine pages drafted of Volume 1! I have miles to go on this, but I'm pretty happy with my rough mockup so far.I am convinced that the key to accomplishing anything is a solid foundation, so I'm trying to be very thorough with my prep work. I've borrowed library books for my background reading, worked on sketching and storytelling exercises, even enrolled in the home study Kubert School course. I know my characters, my theme, my plot, and I even have a few lovely, good-natured people to be models. (My son is also always happy to give me a pose so I can snap pictures with any unusual angles.) I also have a Pinterest account and boards where I pin art inspiration and other reference material.Now, I'm sketching rough layouts on copy paper which I've drawn margins on to make it closer to comic book proportions. I draw the gutters and design the panels, and populate them with glorified stick figures and scrawled text. Then I can see how the pacing is going, whether my panels make sense in relation to one another, and if I'm missing any action or need to change up my angles. I also put them together in sets of two so that I can see how each two-page spread looks together. When I'm happy on all those details, I punch holes along the side and clip them in a three-ring binder in order so I can turn the pages and read the story.I'm creating two-page spreads of the major turning points in the story first, then going back to add in the rest of the story and connect my turning points together. I know the overall arc of the story and characters already, so now the thing to work on is making sure the story makes sense while it's told.When I'm done, I will have a very ugly penciled version of my comic :) If the story survives amidst the sloppy sketches and half-erased mistakes, I'll know it has merit :)What's your process? Any tips?
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Back into the routine...

School has officially started for me this week. I haven't had any kids yet, but they'll be there on Monday. It's hard leaving my little buddy and beautiful wife to work all day, but I endure it because I want to provide for them.

Got some writing done yesterday and a little drawing done too. Oddly enough, even though I technically have less time to work during the school year, the structure of it actually helps me get more accomplished than in the summer.

Hopefully will have some new art to share soon, and maybe by this time next year I'll even have a book or two finished. We'll see.

Keep Soaring,
Branson

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During the Chicago Comic con last weekend I was doing some fundraising for the Aurora Rises event...benefiting the families of the shooting victims (see: http://www.facebook.com/pages/Aurora-Rise-Benefit-Event/479465245414113) by selling copies of a signed print I had created.
In addition to this, I had as many national known artists and celebrities as I ran across sign my display poster of the image (see below). Now we're auctioning that for Aurora Rises. Here the details:
The Poster version of the Batman-Tribute print, which we had 18 other artists and celebrities sign at Last week's Chicago Comic-Con, Including...
Stan Lee, Humberto Ramos, George Pérez, Sean Patrick Flannery, Brian Pulido, Diosdado Mondero, David Mack, Jeff Balke, Arthur Suydam, James O'Barr, Terry Huddleston, Michel Golden, Lou Ferrigno, Billy Tucci,David Della Rocco, Greg Horn and Robert James Luedke (the illustrator)...
...is now live on EBAY and ready for your bid.

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All net proceeds from this auction go to the Aurora Rise: Benefit Event, which is being held Aug. 25th-26th at All C's Collectiblesin Aurora, CO.
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Just Joined! Here's an Intro:

Hi, I'm Paula :)After spending most of my life flipping between writing and art - getting a B. A. in English, shoehorning in art classes, publishing a few articles and stories, entering a few art fairs, somehow turning into the go-to person for resume updates, and selling a few Tshirts and other fun stuff with my designs via Zazzle.com - I am now quite settled on being both.Comics are a terrific media for that ;) I've always wished I could be a fan of comics and read and collect them the way I do books, but when I was young, my mom didn't approve and my older brother said comics were his domain. So instead, I stuck to the Sunday paper strips, the yardsale bargain books, the Saturday morning cartoons. Gradually my interests grew from mysteries and fantasy novels to encompass science fiction, classics, fairy tales, myths and legends, until I discovered that what really hooked me into a story was the archetype. Most cultures have a Cinderella fairy tale, a legend of dragon-like creatures, a Great Flood. I felt as though there was a common thread that bound all humanity together, as if there were things that are undeniably true and real, even if millennia had worn them down to threads of their former selves. Retellings were now fascinating - putting flesh back on the bones of these old tales and making them live and breathe and walk again.As an adult, I could appreciate that comics were full of these archetypes - heroes, monsters, epic battles and all, but I couldn't really seem to get into them. I'd gotten spoiled by standalone stories and completed series in books - there didn't seem to be a place to pick up comics and have a beginning, which is my favorite part. Beginnings in stories are like the gooey middle of a cinnamon roll. If it's missing, no matter how good the rest of it is, it just won't satisfy. That's why I buy a cinnamon roll... mmmm.... I mean, story.The lack of beginnings, the soap-operatic storylines, and the more egregious tropes such as "Reed Richards is Useless" (note: the TV Tropes website is addictive, read at your own risk!) had my enthusiasm for comics flagging before I even found out about reboots (let's take the beginnings and make them not matter!) and "Girlfriend in the Refrigerator" and the, er, anatomical issues of female superheroes. I love the characters, the idea of them and what drives them, but the execution is really hard to get into, especially as a woman, especially as a mom, especially as a writer.So I hang out on the fringes, and if I hear of a short-run, fully-contained storyline, I check it out.Fairly recently, my frustration with comics, my love of writing, and my love of art seem to have intersected powerfully with my growth in my faith. After growing up a casual Christian, having my life go well until somehow I found myself on the brink of divorce, and coming together at last with my husband to put our marriage in God's hands before it could get worse, we have both become more serious and more sincere than ever about our commitment to Christ. Because of that, I am more secure, and my creativity is higher than ever. (Who knew? Somehow I had the idea that committing to Christ would make my life more boring and sterile. The opposite happened. I know, Jesus said "abundant life," but I didn't believe it.)I have found myself noticing little things that are wrong in the portrayal of Christians and Christ, both in the mainstream culture and in the church culture. Tiny things, really, but that taken together, lead to widespread misconceptions such as mine about a boring, sterile, uncreative Christian walk. I didn't know any better before, but now that I do, I want to create something that combats these ideas and sets the record a bit straighter.So I've been daydreaming a lot, working out a storyline, fleshing out characters, and suddenly I have a comic coming together. I won't say much about it at this stage, because it's still mostly in my head. If I explain it all here I'll never finish drawing it. Right now I'm doing rough sketches of Volume 1 and putting them in a binder, just to get a feel for the layout and work out any story problems and flow issues. Next, I'll finalize my character designs - I have roughs, I even have models - a nephew and my son's friend's big sister have graciously agreed to let me use pics - and then I'll do final penciling and ink. I'm not great with color, but I'll worry about that when I get there.
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What Do you Recommend?

What comics/graphic novels would you recommend to a friend who had interest in getting back into comics? 

Off the top of my mind I would say, in no ranking order; Batman Hush, Superman Birthright, The Walking Dead, Y the last man, (Samson the Nazirite of course :) ... but I'd like to hear what this group would recommend.

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How many times can you restart a project?

That's a question I've been dealing with lately.  

If you poke around my art posted here, you'll discover a web comic that did for a short time called Outcasts.  It was an allegory of how traditionalism was making our churches incapable of doing what the Lord called us to do.  Then, after actually serving on staff at a church, I came to realize that the argument isn't so cut and dried, that there are things on the "nontraditional" approach that are just as paralyzing.  (As I said in my previous post, the Lord had a lot to teach me over the years.)  So, I went back and started to rewrite my outcasts story, giving it a more balanced view.  Well, in the process of writing, I came to realize that it felt like it was the middle of a story more so than the beginning of one.  I needed a prequel to establish the world I was creating these characters in.  

Hence my most recent project, for now simply titled "MM."  I've drawn and redrawn the first page four times now, and the script that I started writing tonight is completely different from any of those four versions.  If I were to take all the time that I've spent starting this project over and over again, I might have been finished with it by now.

The good news, though, is that I'm very pleased with how the script is turning out now.  It took a while, but this project is finally starting to take shape in my mind.  

FYI:  If you spend the time figuring out the details of your characters and the settings, getting to know them as intimately as you can and fleshing out every detail you can think of, then writing the actual plot becomes so much simpler.  

Excited for where this is going, and what the LORD plans to do with it.

Keep soaring,

Branson 

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Hello everyone,

I pray all is well. After three long years, many late nights, and many hours of hard work, it is a blessing to announce that my first comic, Lightweightz: The Anthology Part One is now available for purchase! It's a 35-page pdf, and it's only $2! You can learn more about the comic and purchase it by checking out the links below. Soon I will be sending a follow-up e-mail with a trailer for the comic as well as a press-release in case you want to post it on your blogs/websites, and know of any individuals and websites to send it to. 
Purchase from my websitehttp://www.rsquaredcomicz.com/store/
What people are saying so far...
 
Want to know what people who have purchased the comic are saying about it? Then check out the link below:
What I'm aiming for...
 
Initially my primary goal was to just see the project through to completion, and I didn't care too much about how many copies I sold. I figured that since there are many comics out there for people to choose from, and given that this is my first release, it's best to keep my expectations very modest. While I'm not in this to make money, I've recently had a change of heart. It is only through the God's grace that this comic came to be, so there's nothing wrong with trusting in that same grace for the comic to do well. So I'm looking to sell anywhere from 1,000 to 1,500 copies at the minimum. If I only sold one copy I would be good (although thank God for me already surpassing that goal, lol!), but why not step out on faith?
 
Where you come in...
 
There are many ways you can help support me in this goal, and support what I'm doing in general. If you did one of these I would extremely grateful. If you did more than one, then I would be even more grateful than that, lol:
(1) Pray for me.
(2) Purchase the comic.
(3) Let others know about the comic and what I'm doing through sharing links to my website (www.rsquaredcomicz.com) and Facebook Page (http://www.facebook.com/RSquaredComicz) within your networks.
 
If you want to know more about the idea behind R-Squared Comicz and Lightweightz...
 
Here are a few resources to learn more, including two interviews I was fortunate enough to be asked to do:
 
About mehttp://www.rsquaredcomicz.com/about-2/about-me/ (and before you say something I know, I need a new picture, lol)
 
...and that brings me to the end...
 
That's all I have for now, and thanks for taking the time to read through this e-mail. Until the next update, take care, and have a blessed one!
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Getting back to it...

Wow....to be honest, I completely forgot that I had this until I received a message a little while ago. How is everyone?!?

I've been spending the past couple of years honing my skills a little, reading some books and trying some different techniques and things. I can definitely see improvement in my work, so praise God that he's working in me still.

Still nothing new on the project list. Still have a ton of ideas, several started projects, and too little finished ones. But, given all that I've learned in the recent months concerning art and story writing, maybe I didn't need to finish them because I still had some things to learn. I look back at my artwork from four and five years ago and think, "Wow...I used to think that was my peak!!" But now, I can see how God has matured me and taught me that, while I can be satisfied in what He does through me, I should never think that I have nothing new to learn.

Encouraged about what neurons are firing in the brain. Perhaps one day soon, some of them will see the light of day. Until then, I will continue to wait as God grows me and changes me into what He wants me to be.

Keep Soaring,
Branson

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The Remnant is a project by Joshua David Ling (Me) to write action-oriented stories around the rhythm and rhyme of hip hop. Most albums are exciting full stories from beginning to end. The purpose of this style of storytelling is 1. To Glorify God, 2. To bring back bardic storytelling in a modern way, and 3. to speak to teens and young adults about standing up for what they believe in.

All music from The Remnant is free. If you wish to pay however, we will graciously accept your gift and put it toward making The Remnant’s stories even better.

Thanks to everyone who takes the time to read this. Stand up brothers! Never stop praising God!

To download or listen to the music: http://joshuatheremnant.bandcamp.com/

For More Information: http://theremnant.imaginationchronicles.com/

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I Might be Adapting Electric Angel to GN

My good friend and acclaimed horror writer, Author Sue Dent,(http://www.suedent.net/)...who I lovingly call "The Queen of the Chiristan Undead"... has started an online campaign to fund my adaptation of her wonderful novella, Electric Angel, into a graphic novel.

So if you have a hankerin' to see me dive back into GN and sequential artwork, take a visit and do what you can to help make this a reality in 2013:

http://www.indiegogo.com/electricangelgraphicnovel

 

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Pilgrim's Digress Script

Hey all, I was hoping someone who really has a talent for stories and such wouldn't mind reviewing a 20 page script I made for my Pilgrim's Digress story. It is the story of floating islands, and zombies, and all that silliness that I posted back a few years ago but never finished:

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If you are pretty good at the art of storytelling, and if you would be kind enough to review the DOCX file, and give me some input, I would be ever so grateful! Just message me, and I'll send you the DOCX! :->

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