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The Alpha-Omega APA-Zine F.A.Q.

Hi! As some of you may know, I don't post online here very often because so much of my time is instead involved offline with Alpha-Omega, the Christian Comic Arts Society's long-running Christian comics APA (which stands for Amateur Press Association.)  I'm reprinting and expanding on an earlier post to provide a "Frequently Asked Questions" list about the APAzine, because some folks have been asking for more info about it and I thought it would be easier to have the info handy in one blog post I can just directly link to.

 

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What is an "APA"?

For those who don't know what an APA is, there's a Wikipedia article on the history of the concept. It's basically a short-run, members-only fanzine that works sort of like a pre-internet equivalent of a private discussion forum/bulletin board/blog, printed out and shipped back and forth through regular postal mail. Each member of the APA produces their own mini-zine (called "contributions", or "tribs" for short), mails their 'trib to the group's "Central Mailer", who then collates and combines the individual 'tribs into complete photocopied/stapled issues of the APA-zine which is then mailed back out to all participating members, who then are generally expected to review/critique/comment on each other's work in the following issue.

Given the bi-monthly schedule of issues, this group a much slower-paced alternative to the instantaneous fellowship available through modern online forums and social media, but it also tends to provide an outlet for a different set of creative muscles and provides a different style of feedback and fellowship. Some creators find that having a regular deadline to create something tangible to share with a private group of friends is helpful in a way very different than the open-ended nature of just posting work to online forums for strangers to review. The APA format allows for longform nuanced discussions among a private circle of creators, rather than the rapid-fire clickbait commentary that tends to dominate online spaces. It's a unique way for amateurs to refine their skills, for creators to bounce ideas around and get feedback, and most importantly, a great way for Christians who love the comics medium to have fellowship with other fans who share their values. 

Who's in charge?

The APA is run by two volunteer positions: the Central Mailer (who handles the physical assembly and mailing of each issue, and keeps track of the costs for each issue), and the Editor (who provides an opening editorial for each issue providing discussion prompts and creative challenges; he also acts as judge/referee if there are any disputes between members or questions about the rules governing content within the issue.) 

What's required to participate?

Members are expected to maintain a “minimum activity requirement” for participation in the group. This means contributing at least 2 pages every other issue. Some members sometimes have to take a longer hiatus due to health problems, family emergencies or other unforeseen circumstances. We’re flexible. Just try to let us know if you think you may be missing several issues in a row; people get worried if a member just vanishes off the map like a ghost.

An easy way to stay involved if you’re not able to complete a full ‘trib on any given issue is to submit cover artwork. The front covers are generally Christian themed (Bible scene adaptation, an allegorical scene, or fanart of Christian comic characters) although sometimes it’s merely seasonal/topical (in the past, I’ve created covers using re-lettered public domain comic art, with “Christmas”, “Summer Vacation” or “Back to School Deadlines” themes.) The back covers don’t need a specific theme, and are often a showcase for fan-art of various genres.

Are there financial costs?

The Central Mailer pays out-of-pocket for the costs for mailing out each new issue of Alpha-Omega, and every member is expected to send funds to reimburse those costs. (Some members send in a small amount as needed on a per issue basis, others just send a larger amount of prepaid funds to cover several months worth of issues in advance.)

Each member is also expected to cover the cost of printing their own portion of the APAzine. Some members do this by photocopying their own ‘tribs and mailing them in to the Central Mailer; some members email their ‘tribs to the Central Mailer as a PDF and then send extra funds to cover the cost of printing their pages for them.

The current costs for an issue of AO include printing 15 collated sets of their ‘tribs. The Central Mailer is currently able to print a PDF ‘trib at cost for only 8 cents per page. The USPS postage costs typically range from $3.00 to $10 depending on the size of the issue and if you prefer First Class or Priority Mail.

Content: What to include?

For your first 'trib, it's always helpful to include a brief introduction: the basics who you are, how you came to Christ, and what are your interests in fandom. (We've got some folks who are avid readers of all kinds of comics, some whose interest is limited to certain genres, and some who are more interested in related areas like sci-fi, fantasy, anime, or gaming.)

It’s helpful to give your ‘trib a title (to help distinguish it from others when collated together) and to include your name so it’s easier to identify when sharing feedback. We’re a “members only” private publishing group, so some oldschool members feel comfortable including their full address and phone number among their contact info in their ‘tribs. Others (who may be more skittish about privacy) might only include an email address or online contact info. It’s up to you: our contact info is shared within the group primarily to allow other members to collaborate on other projects together outside of the APA if they’re interested.

The content you share is up to you. Each person's 'trib is treated like it's own mini-zine, so feel free to tailor it to your interests: some of are primarily sharing art, others are primarily sharing writing; other are sharing essays, articles or reviews about comic-related topics from a Christian perspective. Personal updates and prayer requests are OK too.

With an interactive creative group like Alpha-Omega, what you get out of it depends on how much you put in. This can include joining in on group projects or creative challenges, but the simplest step is probably the most important: just taking the time to offer comments for others. (This usually takes the form of a “Mailing Comments” section in each of our ‘tribs where we share our thoughts on the previous issue’s contents.) Comments and critiques are the most important thing that keeps this group as a fellowship, and not just solo creators talking past each other.

If you're looking for feedback and critique on your work, it always helps to be specific. If you just share some artwork, the majority of comments might just be "great art, thanks for sharing." But if you share your art with a request on how to get the perspective to look right, or suggestions on how to make the story pacing flow better, you'll get much more helpful feedback.

Content: What NOT to include?

We strive to keep Alpha-Omega appropriate for “all ages”: no profanity, no nudity, no extreme violence or gore, no glorifying of sinful behaviors, etc. We try not to be rigidly legalistic, and any rare occasions of questionable content will be evaluated on a case by case basis by the Central Mailer and Editor.

We also ask that all members please be respectful and polite when critiquing each other’s work, and to avoid stirring up overheated arguments in our comments. (This isn’t to say we’re forbidden from discussing our opinions on controversial topics. We just need to recognize that a bi-monthly fanzine “letters column” is not an ideal format for resolving debates over politics, theology, or rival fandoms.)

As for arguing over theology, the abridged doctrinal statement of Alpha-Omega is: “The Christian Comic Arts Society holds to the creeds and foundational beliefs that are shared among the classical traditions within Christianity (Catholic, Orthodox, and Protestant). We do not take positions on doctrines that are of legitimate disagreement among Christian denominations. While discussion of theological topics is allowed, we discourage APA contributors from proselytizing for their particular denominational doctrines within the pages of Alpha-Omega. Please use private correspondence for this type of discussion.”

What's the deadline schedule?

Alpha-Omega is produced bi-monthly, for six issues total per year. The publishing schedule is usually near the first weekend of every other month. (ie -- An early January deadline for the January/February issue, an early March deadline for the March/April issue, etc.)

Are back issues available?

Because it is an extremely short-run publication intended for active members only, there is not generally back issues available for sale to the general public. However, there was a special edition printed collection recently published in honor of the APA's 200th issue, and that "best of" collection is available for sale via Amazon, Barnes & Noble, or other retailers

How do I join?

If you're interested in joining, please contact either myself (the current "Central Mailer") or Ralph Miley (the current "Editor" of our APA, who coordinates stuff between members) to find out more. PDF sample copies are available for prospective new members, as are a very limited number of printed back issues. You can reach me by email about this at alphaomega (at) crosshatchery (dot) com.

Thanks, and God bless!

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Alpha-Omega #200 is now available!

As a follow-up to my previous posts, I'm pleased to announce that the big 200th issue of the Alpha-Omega APA-zine is finally finished and available to the general public!

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The official synopsis:

An anthology featuring the work of past and present members of the Amateur Press Association of the Christian Comic Art Society, this special milestone issue of the Alpha-Omega APA-zine is a celebration of the past, present and future of Christian comics movement.

Edited by Ralph Miley and Kevin Yong, this anthology mixes "best of" reprints from Alpha-Omega's long history with new original content from creators Billy Leavell, Mark Poe, John Pierce, Carl Borg, Roland Mann, G. Raymond Eddy, Bud Rogers, Eric Jansen, David Davis, Bob Wierdsma, Lee McIntosh, Brent Giles, Josh Burns, Jesse Hamm, Frank Humphris, Rob Marsh, Ken Leach, Henry Chmielefski, Michael Monasmith, and Robert Flores; with special guest artwork from Gary Shipman, Christine Kerrick, Sergio Cariello, Steven Butler, James Babcock, AND MORE!

Join us for a look back spanning over three decades and two-hundred issues of Christian comics fandom! Featuring essays, artwork, fiction, non-fiction, and a collection of comic short stories including Don Ensign's "Golden Protector", Ralph Miley's "Images Past", Billy Leavell's "Ray Rockett", John Pierce's "Jonni Star", Eric Jansen's "Paraman", Larry Blake's "Nightstar", Kurt Kolka's "The Cardinal", and a reprint of the full-length serial adventure, "The AO Challenge". Also featuring special memorial tributes to the legacy of departed Christian comic artists Luisa Felix, Monte Wilson, and Don Ensign.

Now available at Amazon.com. (370 pages, B&W, $25)

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Reminder: FAQ for Alpha-Omega #200

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Hi everyone! The deadline for the big 200th issue of the Alpha-Omega APA-zine is coming up soon, so as a reminder for anyone interested in participating, here’s an updated F.A.Q. list:

 

ALPHA-OMEGA #200: FREQUENTLY ASKED QUESTIONS (v2)

What is Alpha-Omega?

Alpha-Omega is the Amateur Press Association of the Christian Comic Arts Society, and is the ink-and-paper-through-the-mail counterpart to the electronic forums and social media fellowship we have online.

What’s the plan?

Alpha-Omega #200 will be a special issue featuring content from our past and current members, as well as from friends and supporters within the Christian comics movement. We envision the book as a “best of” tribute to our past 33+ years of Christian comics fellowship, and a celebration of both Christian comics and Christian comics fandom.

If you haven't already done so, please RSVP to alphaomega@crosshatchery.com if you want to participate.

What are we looking for?

The length of your submission is up to you. You can submit anything from essays and short stories to a single pinup page of art. It can be new content, or “best of” reprints. Possible ideas include…

  • Essays about your own personal memories, experiences or lessons learned within the Christian comics movement during your time as a fan, amateur or pro.
  • Artwork in the “Congratulations on 200 issues!” tradition of those Comic-Con Souvenir Books. Our official theme for this issue is “Celebrating Christian Comics Fandom”.
  • Self-contained short comic stories.
  • Also, feel free to share and promote your own Christian comics work. Members and friends of Alpha-Omega and the Christian Comic Arts Society have produced a lot of content over the years, but much of it was in the form of small-press indie comics from the pre-internet era and so many of our comics may still be largely unknown to wider audiences. Give us a look back on what you’ve worked on, and how to find it!

What should we NOT include?

  • Personal contact info. If you’re a creator who wants to promote your website, social media or email, great! Go for it! But it’s probably not a good idea to share your home address and phone number, since extra copies of this “best of” book will eventually be available for sale to the general public.
  • Mailing comments to other members. These are usually the lifeblood of an APA, but this issue will have many new one-time readers, so mailing comments referencing any specific back issue content will be needlessly confusing. Save it for next time, regulars!
  • Serialized stories. Like above, don’t share “Chapter 2 of 5” or start a teaser cliffhanger that will never be resolved for our guest readers. Let’s stick to standalone stories this issue.
  • Copyrighted material. Feel free to share any of your own art and writing, but avoid photocopying articles or artwork from elsewhere.
  • All our usual AO content restrictions apply: no graphic sex/violence/objectionable content, no personal insults, no inter-denominational arguments, no political flame-wars.

Who owns the copyright?

You will retain all copyright ownership of your individual work. By submitting your work for this issue, you are granting Alpha-Omega/CCAS a nonexclusive right to publish it as part of this 200th issue compilation.

This standard disclaimer will be included in the front page of the book: “The views and opinions expressed here are those of the individual creators, and do not necessarily reflect the Christian Comic Arts Society or the Alpha-Omega Amateur Press Association as a whole. The copyrights for all contents of this compilation are the property of their respective creators, and are printed here with permission.”

How should we send our pages?

  • The printed book will be 8.5” x 11”, B&W. Try to design your pages accordingly.
  • Have your submission clearly labeled with your name somewhere on the front page. (Also please include your own copyright notices if you want to be more specific than our generic AO disclaimer listed above.)
  • If you can send your ‘trib digitally, send it to Kevin Yong via alphaomega@crosshatchery.com or by using a file sharing upload site like Dropbox. TIFF, JPEG or PNG accepted for artwork, while PDF is the preferred file format for documents.
  • If you prefer to create your ‘trib in hardcopy form, you can mail us ONE clean set of B&W pages for your ‘trib, and we will scan it as needed for the final book. You can mail your printed pages to:
    Kevin Yong, P.O. Box 254, Temple City, CA 91780

Deadline?

The 200th issue will be dated May/June 2018. The deadline for contributing for the issue will be May 7th, and the printed issue will be sent out (Lord willing) by late May.

What will this cost?

As an all-volunteer APAzine, the costs of printing this issue will be paid for out of pocket by the participants. We estimate a printed copy will cost around $4 or $5, plus postage.

The book will be printed as a squarebound trade paperback using Createspace print-on-demand. In addition to copies being printed for participants, the book will later be available for sale at Amazon.com to the general public. (Any money eventually raised from sales of the book will go back towards funding Alpha-Omega and the Christian Comic Arts Society.)

For those who want to be a part of AO #200 but who don’t want to purchase a physical copy, a free digital PDF version will also be made available to all participants.

Who do I contact with more questions?

Ralph Miley is our main contact person & coordinator for this project. Kevin Yong is the Central Mailer who is compiling all the ‘tribs and will be formatting the book for print. If you don't already have our contact info, you can send us an email at alphaomega@crosshatchery.com and one of us will follow-up.

Thanks, and God bless you all!

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Alpha-Omega #200: Calling All Former Members!

Hi! As some of you may know, I'm not posting here online that often because so much of my time is involved offline with Alpha-Omega, the Christian Comic Arts Society's long-running Christian comics APA (which stands for Amateur Press Association.) 

For those who don't know what an APA is, there's a Wikipedia article on the history of the concept. It's basically a short-run, members-only fanzine that works sort of like a pre-internet equivalent of a private discussion forum, bulletin board and blog, printed out and shipped back and forth through regular postal mail. Each member of the APA produces their own mini-zine (called "contributions", or "tribs" for short), mails their 'trib to the group's "Central Mailer", who then collates and combines the individual 'tribs into complete photocopied/stapled issues of the APA-zine which is then mailed back out to all participating members, who then are generally expected to review/critique/comment on each other's work in the following issue. It's a much slower paced (and given the cost of photocopies and postage, much more expensive) alternative to the free and instantaneous fellowship available through modern online forums and social media, but it tends to provide an outlet for a different set of creative muscles and provides a different style of feedback and fellowship.

So, if you've never heard of an APA before and would be interested in joining, you can talk to Ralph Miley (the current "Editor" of our APA, who coordinates stuff between members) or myself (the current "Central Mailer", who physically assembles and mails each issue) to find out more.

However! This blog post isn't specifically about recruiting new members. What I'm trying to do is spread the word to former alumni members of our group and let them know that the Alpha-Omega APAzine will be celebrating its 200th issue this year! Ralph and I are trying to contact and invite all our many alumni members to participate in this upcoming special anniversary issue!

(Additional Note: I originally wrote this post with former Alpha-Omega members in mind, but the invitation to participate is open to other friends and supporters of the Christian comics movement as well. Contact us if you're interested!) - Kevin

And so, I hereby present: The official AO#200 participation Q&A!


 

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Who are we looking for?

If you’ve been a member of the Alpha-Omega APA at any point during our past 30+ years, we’d love to see you back in our pages for this anniversary special. We have been trying to reach out and contact former members via our last known contact info from back issues of AO, but many of us have moved and/or changed email providers in the years since we first joined. That’s why I'm making a more public announcement here on the CCAS site, to get the word out more easily. (This invitation is also open to any other friends and supporters in the Christian comics movement who want to celebrate with us.)

Who to contact?           

Ralph Miley is our main coordinator for this project. Kevin Yong is the Central Mailer who is compiling all the ‘tribs and will be formatting the book for print. If you don't have our contact info already, drop me an email at alphaomega@crosshatchery.com and we’ll follow up!

What’s the plan?

Alpha-Omega #200 will be a special issue featuring content from our past and current members, as well as from friends and supporters within the Christian comics movement. We envision the book as a “best of” tribute to our past 33+ years of APAzine fellowship, and a celebration of both Christian comics and Christian comics fandom.

The book will be printed as a squarebound trade paperback using print-on-demand, and in addition to copies being printed for participants, the book will later be available for sale at Amazon.com to the general public. (Any money eventually raised from sales of the book will go back towards funding Alpha-Omega and the CCAS.)

Deadline?

The 200th issue will be dated May/June 2018. The deadline for contributing for the issue will be May 7th, and the printed issue will be sent out (Lord willing) by late May.

Costs?

As an all-volunteer APAzine, the costs of printing this issue will be paid for out of pocket by the participants. We estimate a printed copy will cost somewhere around $5, plus postage, depending on the final page count.

For those alumni who want to be a part of AO #200 but who don’t want to purchase a physical copy, we'll work on creating a free digital PDF version to be available for all participants.

What we’re looking for

The length of your ‘trib is up to you. You can submit anything from a full length ‘trib to a single page of congratulatory artwork in the tradition of those Comic-Con “Souvenir Books”. Our theme for this issue is “Celebrating Christian Comics Fandom”.

Ideas for ‘tribs

  • A “Best of” collection of your past Alpha-Omega content. Do you have essays, reviews, artwork or writing from your past time in AO that you would like to see reprinted? Also, If you previously wrote content for the CCAS 25th Anniversary book, we can reprint your essays/memoirs from there as well!
  • You can share your own personal memories or experiences with the Christian comics movement, or updates on what you have been involved with since you were last in AO. (But don’t forget that this book will have a wider audience than normal, so don’t go into more personal detail than you would be comfortable sharing on a public forum.)
  • Feel free to share and promote your own work. Members of our group has produced a lot of content over the years, but much of it was in the form of small-press indie comics from the pre-internet era and so many of our comics may still be largely unknown to wider audiences. Let people know what you’ve worked on, and how to find it!
  • Artwork in the “Congratulations on 200 issues!” tradition of those ubiquitous Comic-Con Souvenir Books. Artwork can feature your own characters, or if you want a “mascot” character for AO, you can do a tribute using The Golden Protector -- a Christian superhero created by Don Ensign, the co-founder of AO & the CCAS who passed away a few years ago. (Reference art available if needed.)

What not to include

  • Personal contact info. If you’re a creator who wants to promote your website, social media or email, great! Go for it! But it’s probably not a good idea to share your home address and phone number, since extra copies of this “best of” book will eventually be available for sale to the general public.
  • Mailing comments. These are usually the lifeblood of an APA, but this issue will have many new one-time readers, so mailing comments referencing any specific back issue content will be needlessly confusing. Save it for next time, regulars!
  • Serialized stories. Like above, don’t share “Chapter 2 of 5” or start a teaser cliffhanger that will never be resolved for our guest readers. Let’s stick to standalone stories this issue.
  • Copyrighted material. Feel free to share any of your own art and writing, but avoid photocopying articles or artwork from elsewhere.
  • All our usual AO content restrictions apply: no graphic sex/violence/objectionable content, no personal insults, no inter-denominational arguments, no political flame-wars.

Copyrights

You will retain all copyright ownership of your individual content. By submitting your work for this issue, you are granting Alpha-Omega/CCAS a nonexclusive right to publish it as part of this 200th issue compilation anthology.

This standard disclaimer will be included in the front page of the book: “The views and opinions expressed here are those of the individual creators, and do not necessarily reflect the Christian Comic Arts Society or the Alpha-Omega Amateur Press Association as a whole. The copyright for all contents of this anthology are the property of their respective creators, and are printed here with permission.”

How to send your ‘trib:

  • The book will be 8.5” x 11”, B&W. Try to design your pages accordingly.
  • Clearly label your pages with your name, and your ‘trib’s title too, if applicable.
  • Also please include your own copyright notices if you want to be more specific than our generic AO disclaimer listed above.
  • If you can send your ‘trib digitally, send it to Kevin via email or by using a file sharing upload site like Dropbox. PDF is the preferred file format (Word Documents can be used if absolutely necessary, but we can make no guarantees that the formatting will remain consistent.)
  • If you prefer to create your ‘trib in hardcopy form, you can mail us one clean set of B&W pages for your ‘trib, and we will scan it as needed for the final book. You can mail your hardcopy pages to:
       Kevin Yong
       P.O. Box 254
       Temple City, CA 91780

 

Contact Ralph and Kevin to RSVP if you're interested. If you don't already have our contact info, you can send us an email at alphaomega@crosshatchery.com and one of us will follow-up. God bless!


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Updates Coming Soon

Wow, I can't believe it's been a few years since I last updated my account here. Just wanted to log in and say hi, and let you know that I'll have some project updates to share soon.

For those who were wondering, no, I didn't drop off the face of the Earth. I've just been busy with my day job and various family duties, as well as working offline on several Christian comic projects, such as books like Ragged Capes and New Visions-- now with two volumes -- with Ralph Miley from New Creation Comics; assisting in the publication of Larry Blake's Psychozort trade paperback collection; and launching Silver Wolf, a new superhero series with Eric Jansen and Larry Blake.

The biggest project I'm working on at the moment is helping organize the upcoming anniversary issue of the Alpha-Omega APAzine, and I'll be posting a separate update on that shortly. :)

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Prayers and encouragement for a friend

Hi everyone. "Real life" has been keeping me away from online participation for awhile, but I wanted to pass this along for a friend.

As some of you may already have heard: Don Ensign, the founder of the Christian Comic Arts Society, is in the hospital due to complications from prostate cancer.

Our mutual friend, Ralph Miley, is planning to possibly travel to visit Don later in February, and had an idea for a gift that might encourage him. We're trying to create a sketchbook collection of Don's original character, "The Golden Protector". A scan from Don's original art for the character is included here as reference if any CCAS artists feel inspired to help out with the project. Please email any Golden Protector sketches to Ralph at ralphellismiley@verizon.net, and he'll print them out to bring to Don as a "get well" gift when we see him.

Whether or not you feel led to participate in this little art project, thank you for reading, and please keep Don in your prayers. Thanks, and God bless!

3448613361?profile=original"The Golden Protector", as created and drawn by Don Ensign

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Phoenix Comicon 2011 - Full Report

3448609662?profile=originalWell, it's taken me a week to sort through my thoughts, but here's a more detailed convention report on the Phoenix Comicon over Memorial Day weekend. (My apologies for the relative lack of pictures -- I'm very much an introvert when it comes to asking total strangers for the picture, despite how cool their costumes might be.)

To explain my perspective, I should probably point out that I'm a lifelong Californian with over a decade of exhibiting with CCAS at the San Diego Comic-Con, which tends to leave me jaded as far as conventions are concerned. I've never been to Arizona or the Phoenix Comicon prior to this one.

The travel from So.Cal. to Phoenix, Arizona was surprisingly easy. The logistics of traffic, the hotel, and navigating downtown Phoenix was much easier than my comparable experiences in San Diego. (And far more affordable too: the costs of the hotel and parking fees for our entire four-day Phoenix convention ended up costing less than one night at San Diego. Ouch.) The drive ended up much quicker and easier than the times I've driven north to the San Fransisco Wondercon.  As the Bing Map site said, I just had to drive down my street to the freeway, turn right at the onramp, and then keep straight… for 300 miles or so. ;)

The main thing I had to get used to there was obviously the heat and lack of humidity, but I also had to get used to the friendliness of people at the convention and hotel. I'm definitely not used to strangers striking up conversations in parking lots or standing in line, asking how our day is going, how we're liking our trip, etc. It was hard to remind myself to respond with a smile, rather than with a typical paranoid Californian response of "Who are you? Why are you talking to me? What do you want? I don't have any money. Security! Security!"

We had a full booth in the exhibit hall this year, rather than just a small press table. The booth space was split between one corner highlighting the nonprofit evangelism of the Christian Comic Arts Society and one corner highlighting the independent publishing studio of New Creaton Now, a "co-sponsored" booth arrangement made easier by the fact that the team of volunteers for this year's show (myself, Ralph Miley and Don Ensign) are involved in both groups.

3448609450?profile=originalOur table was divided into three sections: a showcase of Christian comics from various publishers (including the fan favorites of the Action Bible, Buzz Dixon's Serenity, and Lisa Hutchinson's Shelter of Wings); a "freebie" section of evangelistic comics and tracts to be given away (including Eric Jansen's mini-comics from Foursquare Missions Press); and a "signing area" where the three of us from NCN could talk with fans and sign copies of Proverbs & Parables, New Crew, Ragged Capes, Faith-Walker, the New Visions Anthology, etc.

The convention center itself is obviously smaller than the one used in San Diego, but it was much better organized and easier to navigate.  The exhibit hall was primarily retailers, fan groups, and independent creators; there were very few publishers or studios at the Phoenix show. It's not a show to go to if your primary goal is shopping or grabbing free promotional swag. The convention's appeal lies in the general atmosphere and mood of the show rather than the size of the exhibit hall. I saw something there all four days of the show that I very rarely see at the San Diego Con anymore: smiling faces and crowds of families, kids, and young teens. At the shows which have become multimedia extravaganzas, I can spend a whole day seeing nothing but densely packed crowds of short-tempered people wearing a permanent scowl as they elbow their way for a place in line. It was a relaxing breath of fresh air to come to a convention where people seem to have come just to have fun.

Despite the "comicon" name, it seems obvious that this show has roots deep in anime fandom, with the related worlds of comics, sci-fi and fantasy grafted on after the fact. There's a huge number of kids and teenagers in costume, and for every one fan dressed as Batman or Spiderman, there's at least a dozen dressed as characters from Naruto, Pokemon, or Kingdom Hearts. The programming at the show seems pretty evenly split between anime/manga, sci-fi fantasy, and traditional comics -- and I thought it interesting that the focus of the panels seems more geared towards workshops for aspiring creators rather than just press releases of news about comics or anime.

We had a lot of great interaction with folks at the table, and did our best to be helpful and friendly to our neighboring exhibitors. As for attendees, we had a couple non-Christians stop by who were interested to find out what we were all about; there were also a few mockers who just laughed at the concept of Christian comics as they passed by, but nobody actually came forward pick a fight with us, which was good. (There was one lengthy theological argument Ralph had before the show opened while he was talking with another exhibitor, but I was back at our table then and missed the details.)

We met several Christians at the Con who were already fellow members of the CCAS website. It was great to meet people face to face who up until now were only names on a screen. We also with many Christians who stopped by to express surprise to discover "they're not the only ones".

A number of Christian families were there at the show, and included shellshocked parents with zero prior exposure to comics or conventions. We did our best to reassure them that there was more to their Christian spouse's or child's interest in the art of comics and animation than the extremes of zombie gore or hentai smut on display on other corners of the convention. We also met with lots of young aspiring artists there; we gave them information about CCAS and the online sites, so (Lord willing) we can continue to keep in touch and help encourage and train one another.

Don, Ralph and myself hosted a panel discussion talking about Christian comics in general and our work at New Creation Now in particular. It was a sparsely-attended panel, I think in large part because the write-up describing us in the convention programming guide was very vague. However, we still had a good discussion, with lots of good questions and answers with the audience. I was able to record the audio of the panel, and I’ll share a link to the MP3 file when it’s finally prepped and posted.

Most of my time was spent in ministry at the table; my few "fan" moments at the convention were in attending workshops for sci-fi/fantasy authors, and purchasing some rare Golden Age comics from the vendor across the aisle from us. All in all, it was an extremely enjoyable show, with some great moments of fellowship and ministry; it's a convention I definitely plan to return to in the years ahead.

 

 

 

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Phoenix Comicon 2011 - CCAS interview

More updates from last weekend's show... While we were wrapping up at the Con, a comic book news website asked to interview us about the CCAS and New Creation Now. Ralph handled the interview while Don and I continued to work the table (there was a surprising crowd of people visiting us right before the show closed.)

 

 

I find it amusing that we were interviewed at the Phoenix Comicon by someone dressed as "Phoenix".

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Phoenix Con 2011

Well, I'm back from my very first visit to the Phoenix Comicon. I'll have to wait a couple days to collect my thoughts before I can post a full convention report -- four days of insufficient sleep have left my memories a little jumbled. But it was a fun convention, I had a wonderful time hosting the CCAS booth, and we had great opportunities for fellowship with the many other Christians in attendance at the show. (And if any of you are signing up for the CCAS social network as a result of finding us at the show... welcome! It was great meeting you in Phoenix! Pull up a chair and let's talk comics.)

 

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I was able to record the Christian comics panel discussion hosted by myself and Don Ensign and Ralph Miley of NewCreationNow.com. I'll try to post a link to the audio when it's available. (One other comment about being on the panel: No matter how many times I participate at these conventions, I still get a surprised thrill when I see my name listed among the convention guest list. Not sure why -- probably because I still see myself as just a geeky fanboy, so it's always a bit of a jolt to be reminded, Oh yeah, I actually make comics of my own, just like I imagined doing when I was a little kid. I hope I never take that for granted.)

 

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Merry Christmas!

Just a quick post to say "Glory to God in the highest, and on earth peace, good will toward men."

May the grace of God be with you and yours this Christmas and throughout the coming new year.

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Thoughts on the Long Beach Comic-Con

Sorry for the late report on this -- I had to dive back in to a particularly hectic week right after finishing the show.

This was only the second Long Beach Comic-Con, and the first time the CCAS has had a table there. I was able to get in for free as a "Pro", and I attended Saturday and Sunday. (I was working late on Friday, and had to miss the Friday panel about Crumb's Genesis book. My thanks to Buzz for posting a recording of it!)

My overall impressions: online registration was needlessly complicated, but the actual check-in at the show was a breeze. Parking was easy. The show floor was much improved since last year, with the aisles widened and rearranged to avoid bottlenecks if crowds happened to stop by a booth for special events. I didn't go to any panels, but I heard that the rooms were located on the other side of the convention center and required a walk around the exterior. The show seemed well attended. There was steady foot traffic, with the crowds generally smiling and having fun... but not buying much. It wasn't just at the CCAS table, but with every other exhibitor I spoke to. For whatever reason, there was a lot of browsing but very few sales.

Table space at the CCAS booth was open and roomy enough for three volunteers to work comfortably at a time. The frequent rotations helped prevent burnout -- none of us spent more than two hours at the booth at once, giving us plenty of time in-between shifts to stretch our legs, grab a bite to eat, and check out the rest of the show. The table provided us with an opportunity for lots of interaction. We gave away lots of tracts (including our full inventory of Eric Jansen's The Christ of Prophecy) and had dozens of prize drawings where we gave away copies of David C Cook's new Action Bible. We had a few interactions with unbelievers, but our primary reaction from folks at the convention was surprised relief from other Christians to discover that "I'm not the only one!" We met several new friends who will (Lord willing) be joining us here at the online site and at other local California events.

Overall, this was a very fun show and I'd love to go back. I just wonder how much the economy will have to improve before this can be a profitable show for the organizers and exhibitors. (I personally would have loved to have purchased more comics and artwork to help support my fellow creators at the show... but I'm just clawing my way out of a seven month stretch of unemployment, and the budget is tight. I suspect that many of those in attendance were in the same situation. It's tough to financially support the work of starving artists when you're a starving artist yourself.)

I'll try to update this post later once I'm able to see if any of the photos I took at the show turned out OK.
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Gearing up for Long Beach

Just a quick update for those who might be in the southern California area -- I plan to be attending the upcoming Long Beach Comic-Con (Oct. 29-31). I'll be part of the team volunteering withe the Christian Comic Arts Society table in the exhibit hall, where I'll also be doing signings for my recent books (Ragged Capes and the New Visions Anthology) from New Creation.


Not sure yet of my schedule, if I'll be there all three days of the show or just on the weekend, but I'm definitely looking forward to it. I'll post a report on the show when it's all over. Keep us in prayer!

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San Diego Comic-Con 2010



Well, it’s been a few weeks since the San Diego Comic-Con (or, technically, “Comic-Con International: San Diego”) and I guess it’s finally time for me to quit procrastinating and write up my report on the show. Sorry for the delay. In addition to the usual sleep deprivation and sensory overload that accompanies the convention (making the "Walking Dead" banners throughout the convention center very appropriate), I also managed to catch a nasty cold on the last day of the show so by the time I got back home, I was feverish and coughing and was pretty much wiped out for the next two weeks. By the time I was back on my feet, so much other work had piled up while I was sick that my intended convention report got pushed back yet again. So… before anything else can go awry, here it is!


THE TABLE
Table space was more cramped than usual this year. The consensus of the other vendors is that the tables shrunk in comparison to previous years. Still 6 feet long as promised, but they seem narrower, and more tightly packed against the aisles. In previous years, we had room for the display rack, a half-table full of giveaway tracts, and still space for table signs, a candy bowl, and a clipboard for a sign-up sheet. This year, we had to forgo extra table signs, and the sign-up clipboard had to be stashed away behind the display rack.

The CCAS convention events are first and foremost intended as an outreach ministry, not a fundraising tool, but we still do offer Christian comics for sale so as to offset the costs of the table. We usually end up making at least enough to cover the costs of the table itself, while the hotel and travel costs are just considered out-of-pocket expenses that we volunteers pay as part of our ministry.

This year, God blessed us with enough to cover the cost of the table and still had enough left over to cover a hefty chunk of a downpayment for next year’s convention season. In fact, the sales of books were surprisingly good, considering the fact that access to half our table was blocked by a trash can which the convention placed directly in front of us to catch water dripping from a leaky pipe overhead. (We tried to make light of this by posting a sign offering “free baptisms”, but after four days of being unable to have the leak repaired, that had gotten old.)

We got many positive responses from other Christians who were discovering us for the first time, as well as expressions of relief that there were Christians here representing something other than the angry Westboro protesters. (The attention given to the protesters was wildly disproportionate to their actual impact. There was just a small handful of them, they protested outside the convention center from behind a police barricade with no direct contact with anyone, and they were there for less than an hour on Thursday afternoon before departing to go picket their next scheduled target.)

Our table was next to a fellow Christian artist, and across from several other small publishers with whom we struck up friendships and apparently made a very positive impression. The result was that if someone did make a rare complaint about how “awful” it was that "those Christians" had a table at the convention, our neighboring non-religious exhibitors would actually defend us and praise how friendly and helpful we had been to them.

As always, the CCAS table featured a wide variety of comic-style tracts that we gave away for free to all who would take them. Our tracts included everything from the Street Comix (mini-comics with art produced by CCAS members and published by the Foursquare Missions Press for a street ministry outreach for gang members, prostitutes and the homeless) to classic Jack Chick tracts (but only the ones offering clear Gospel messages, not anti-Catholic conspiracy rants, FYI), as well as free sample booklets showing preview pages from the soon-to-be-released Action Bible from David C. Cook.

We carried a very wide mix of comics this year, actually more than we had room to display on our table. Most of it was new: Ralph Miley and I had just produced two new titles through the New Creation Now imprint (Ragged Capes and the New Visions Anthology); Kingstone Media was offering childrens’ titles focusing on Bible stories of Moses, Noah and others; Kurt Kolka brought new copies of The Cardinal; Clint Johnson had a limited edition ashcan preview of Matthew Cross: Faithwalker; Headpress Publishers had released a new installment of the Eyewitness series; and the Voice of the Martyrs had produced a new comic book on overseas persecution, Hope Amid Horror. We also carried older, evergreen titles such as Buzz Dixon's Serenity manga series, the Proverbs & Parables anthology, and the various “Z” Graphic Novels by Zondervan and Lamp Post Publishing.


THE PANELS
The Saturday morning panel focused on “Spiritual Themes in Comics” and had the following writeup in the convention guide:

11:00-12:00 Spirituality in Comics— How can comics help communicate timeless truths through new media to new audiences? Discuss the latest trends of spiritual themes in comics with moderator Scott Shuford of the Christian Comic Arts Society and panelists Holly Golightly (School Bites), K. J. Kolka (Cardinal Adventures), and Clint Johnson (Faithwalker).

The panel wasn’t bad, but wasn’t as good as previous years. This wasn’t the fault of our panelists, just the reality of the placement and crowds. Scott and the panelists did well, but as for the attendance and audience enthusiasm, those seemed only fair to average. A large part of this was due to our change in venue. Last year, our panel was held inside the convention center, and our room was packed to overflowing. This year, in a smaller room, we had plenty of open seats left. The lights were also turned down so dim as to prevent video recording (although we were able to record the audio of the panel and hope to post it online as a podcast soon.) We got in to the room late, because the previous panelists (a Twilight fan-fiction author fan group?) were slow in ending their session, and their crowds simply moved directly outside the door of the room where their loud continuing conversations threatened to drown out our own panelists inside the room. Let's just say the acoustics of the room were somewhat lacking at that point.


Our scheduled non-Christian panelist (Holly Golightly) was not able to attend the panel; she had told me earlier that there might be a scheduling conflict with events going on at her own booth, and I believe she told Scott that the fact that it was being held outside the convention center also played a factor. We were able to replace her spot on the panel with Brett Burner of Lamp Post Publishing at the last minute. As a result, our Saturday panel lacked the back-and-forth diversity of viewpoints we normally have. Our panelists did great, but having the subject of “Spirituality in Comics” discussed only from a Christian perspective felt like it was lacking something. Personally, I think the Christian POV on the Saturday panel is showcased better when it can be compared and contrasted with other viewpoints. Still, our roster of available panelists are often outside of our control, so we work with whomever God brings us and we trust Him for the results. We’ll see what we can try arranging for next year

The Sunday morning panel with Buzz Dixon, Eric Jansen and Sergio Cariello went better. The convention had fixed the lighting by then, so I was able to record the panel with video as well as audio. (Again, postcasts will be forthcoming, Lord willing.) Also, there was a gap in the scheduling between our panel and the next, which allowed our panel to go long and take up to half an hour of extra time for questions and answers. Here was our official writeup in the guide:

10:00-11:00 Christian Comics: The Word in Pictures— From Andre LeBlanc's classic Picture Bible to Robert Crumb's recent adaptation of Genesis, there is a long tradition of Bible-based comics. Moderator Buzz Dixon (Snokie Stories) and panelists Sergio Cariello (The Action Bible) and Eric Jansen (The Christ of Prophecy) discuss the challenges involved in adapting the words of scripture into visual media. A short devotional message will precede the panel discussion, put on by the Christian Comic Arts Society.

Sergio provided an opening devotional about the impact our lives make upon one another, and how even seemingly unimportant artistic efforts (like his freebie contribution to the Proverbs & Parables anthology a decade ago) cause ripples and rebound in unexpected ways (in Sergio’s example, he explained how the art he did for that old anthology ended up putting him in a position where he was chosen to illustrate the new David C. Cook Action Bible, which has been an extensive multi-year project and labor of love for him.)

The panel discussion started off with Sergio's experience with the Action Bible, and Eric's experience with his Christ of Prophecy comic produced and distributed worldwide through Foursquare Missions Press. The discussion then widened to include a discussion about the Genesis adaptation of Robert Crumb and other examples of non-Christians creating art based on the Scriptures. We had a very interactive audience, with even staffers from the convention getting involved in the Q&A.

Out of the many other events at the convention that went very well for us, the one event that did not go so well for us was the “After-Hours Mixer”:

<7:30-8:30 After Hours with the Christian Comic Arts Society— Creators and fans alike are invited to attend an open meeting of the Christian Comic Arts Society for an informal time of Christian fellowship, networking, laughter and prayer. (Think of it as the social hour after church...just with comic books instead of coffee, cookies and punch.) Room 24ABC

I think there were several reasons this event fizzled. One was the setting: In previous years, we had a relatively small room, but we were free to rearrange the chairs and microphones, which provided a cozy atmosphere of fellowship. This year, we were in a large hall where all the chairs were firmly anchored in rows and even the microphones were bolted down to the floor. We were hoping for the feel of an after-church fellowship hall, and we got a lecture podium with pews instead.

The other problem was the timing. In previous years, our after-hours meeting was relatively ignored by the convention: they gave us an unused room and because there were no further events scheduled, they allowed us to just “hang out” without a set end time. However, with this year’s meeting down the hall from some larger events (the Masquerade, a Kevin Smith panel, etc.), the convention enforced a strict one hour time limit, at the end of which we were ejected and the room locked up tight. End result: we had just enough time for people to make introductions and say “Hi, my name is ___ and I’m a Christian and a comics fan” and… that’s about it. There just wasn’t enough time for much “mixing” to go on at our mixer. Oh well. We’ll know better for next year to be more specific with our requests of the convention as to what kind of room we need and how much time to expect.



PERSONAL THOUGHTS
The convention itself has my usual complaints: it’s simply grown too large. It often took me over an hour to move from one end of the hall to the other, or to travel from one panel discussion and back to our table. As a result, I spent much less time at our table than I had planned to, because most of my time was spent trapped inching my through crowds trying to even reach our table. The size of the crowds, the noise, the claustrophobic gridlock in the aisles… it’s all too much for me. I keep coming back each year as an exhibitor as part of this volunteer outreach ministry, but there’s no way it would be worth it for me to come as a “fan” anymore. Not unless I was coming just to camp out to grab exclusive movie studio swag.

On the other hand, the “feel” of the show was not as oppressive as in previous years. I remember just one or two years ago when almost every table in the small press aisle seemed to be offering some sort of blood-soaked vampire or zombie book. Entire aisles would be nothing but a sea of gloomy black and red banners. This year’s offerings were much more diverse, with everything from funny animals to mystery to historical drama to comics for girls. Not that I have anything against the horror comic genre per se, I just like seeing more variety in such a big show as San Diego.

But overall? It was a good convention for the Christian Comic Arts Society ministry. Our panels went well, our table sales were exceptional, we met a lot of new Christian friends, and we gave away many tracts as well as all of the Action Bible samplers we had brought. (We grabbed a few extra from Sergio Cariello so we could have enough between us to last through the end of the show on Sunday.) We praise the Lord for this opportunity to minister, and we trust in Him as we make our plans for next year's convention season.




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The annual San Diego Comic-Con recovery

Well, I’m back from the San Diego Comic-Con after five days of volunteer work helping the outreach ministry of the CCAS table and panels. (I think it's the group's 15th year participating at the Con, if I'm counting correctly.)


And as usual, I’m wiped out from the usual stress and sleep deprivation, as well as from catching a cold on the last day of the show. Expect a full report soon, as soon as I get my strength back.

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San Diego Comic-Con 2009

Hi all. Sorry for the late report on Comic-Con, but after a very long sleepless week at the convention I dove right back in to my regular work schedule, so it's taken me a little longer than I hoped to "bounce back" from the show. For those who don't know: myself and Ralph Miley are the current leaders of the CCAS local group in Southern California that is in charge of organizing the CCAS ministry at the San Diego Comic-Con. Our group has had a presence at the show for over 13 years now -- organizing panel discussions, arranging after-hours meetings for Christian attendees, and running a table in the small press area where we sell Christian comics and give away Christian comic tracts. Here's a quick rundown of my experience at this year's show... Wednesday: Woke up around 3:30 am to pack up and meet Ralph to carpool down for morning setup at the convention. We left for San Diego around 5, arrived a little after 7. Was one of the first to arrive, and got to watch a large parade of forklifts as we waited in line to get into the loading zone parking lot. Unloaded the inventory at the loading docks behind the convention center, had the union guys shrinkwrap our stuff onto the forklift pallets, then we left to park the car, picked up our exhibitor badges (and a temporary setup crew sticker for my wife Heather, who also came down to help) and started the hike over to the small press area. The carpets were still being rolled down, all the big exhibitor booths were still being set up, and those of us in the small press area just sat around waiting for the forklifts to finally arrive and deliver our pallets of material. Once it finally arrived, it was setup time: assemble the banner, spread the tablecloths, fill the display racks with our Christian comics for sale, and spread out the tracts/flyers for the "freebie" half of our table. As we set up, we discovered that our neighbors at the table next to us were fellow Christians Ralph had met during his trip up to Wondercon earlier this year. God always finds a way of bringing his children together! The rest of the day was spent with the boring details of conventioneering: finding lunch, checking into our hotel, picking up guest badges, meeting up with the rest of our team of volunteers, and (briefly) walking around the show on "Preview Night" to see how the rest of the convention hall was set up.

I can honestly say that this was the most crowded convention I ever remember. Regardless of the actual numbers, the crowd control (and lack thereof) on the exhibit hall floor gave the show a very claustrophobic feel. The big media booths (Warner, Sony, Fox, EA, etc.) were always staging different contests, handouts, and other stunts which drew such large crowds that they would completely block the aisles in all directions, leading to gridlock on the convention floor as pedestrians overflowed into neighboring aisles. That part wasn't fun at all, and made me glad I spent most of the show safely seated behind our table in the small press area. Thursday through Sunday at the Table: I spent most of the convention at the table with Ralph. Talked with people who were curious about CCAS, handed out lots of flyers and tracts. We had guest signings at our table with fellow CCAS members Buzz Dixon (whose credits range from writer on the classic GI Joe and Transformer cartoons up to the trailblazing Serenity Christian manga series) and Eric Jansen (whose work at the Foursquare Missions Press is responsible for the majority of comic tracts at our table. He is also a self-publisher of various comics through his "God & Country" imprint, and is the artist on my Tales of Hemlock comic series). This year, I didn't run into anyone who came to our table just to give us a hard time or to argue theology. I did have an interesting conversation with a Mormon cartoonist who wanted to know if his work could have a place within the Christian Comic Arts Society since Mormons considered themselves Christian. I probably stumbled over my words a bit, as I was trying to be as polite as possible in telling him "no". CCAS is open to Christians of the three historical traditions within Christianity: Catholic, Orthodox, and Protestant. For all their differences, at least those three groups do agree on basic fundamentals of the Trinity, the deity of Christ, etc. Groups like the Mormons or Jehovah's Witnesses -- full of wonderfully nice people -- don't share that common ground. They may use similar terminology, but their definitions are completely different. If we're going to call ourselves a "Christian" group, we need to draw the line somewhere as to what that word means; we've opted to draw it based on traditional orthodoxy and the historical creeds. But I digress...

Weekend panels: Other CCAS events at Comic-con included a Saturday morning panel discussion on "Spiritual Themes in Comics", with panelists ranging from Chrsitian writer Doug TenNapel to self-described witch Holly Golightly. (I was able to record this panel, and I hope to make the video available online soon!). Another panel was a Sunday morning panel/chapel service, in which Buzz Dixon gave a mini-sermon tailored to creative artists and then introduced a panel discussion between himself, Eric Jansen, and Leo Partible. (I was only able to attend half of this panel, and was not able to get a workable recording of the panel. If anyone else has more detailed notes from the Sunday morning panel, I'd love to see them!) Our other CCAS event this year was a "secret" after-hours fellowship meeting at the convention center, after the hall closed on Saturday night. It was "secret" in the sense that we had asked the convention for permission to hold a meeting there, they said "sure", but then they did not actually mention our meeting in any of their on-site event programming guides. So, the only ones who knew to attend were those who heard about it from word-of-mouth at our table in the small press area. Still, we somehow got around twenty people who showed up for a fun night of Christian fellowship between a wide mix of comic fans, amateurs, and professionals, all of us coming together for laughter, fellowship and prayer. It was a great night. Final thoughts: each year at the comic-con, a pattern seems to emerge. Last year, the focus was readers of Christian comics. We had tremendous sales at the table, and people came by to snap up whole sets of graphic novels at a time. In previous years, the focus was evangelism/apologetics, as we had a large number of people who came by the table just to try arguing with us about the Bible, the existence of God, or some issue relating to the Gospel. This year? This year's pattern seemed to be fellowship. We received a surprising number of people who had been coming to the convention for years, yet this was their first time finding us. There were many sudden shouts of "I thought I was the only one!" or "I'm so glad to see there's a group doing this!". This year, we made a lot of new contacts of people indicating that they want to sign up for the social network site online to meet other Christian fans, writers and artists and -- even more surprisingly -- there were a large number of people from the local Southern California area who expressed interest in getting involved with the local CCAS group and convention ministry. If everyone who expressed interest actually follows up on it, we may end up doubling the number of volunteers working the CCAS convention ministry by the time the San Diego Comic-Con rolls around next year. As always, the path ahead is in God's hands. I'd like to give a hearty "Thank you" to everyone who prayed for us during last week's ministry, and to those who supported us through time and resources. Most of all, I'd like to give praise and thanks to God for his ongoing blessing of this ministry. Unless the Lord builds the house, the laborers labor in vain. God is good.
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Seeking questions for a comics writing panel

Hi all. I've noted this over in the writer's discussion area. but thought I would post it around for added exposure here too:As the organizer for our local southern California CCAS meetings, I'm trying to start up a project that may bring more interaction between the various areas of CCAS -- the online social networks and forums, the local group volunteers, the Alpha-Omega APA-zine, etc.We're organizing a series of workshops at our monthly local CCAS meetings in southern California, which we hope to record and eventually make available online as a resource for the rest of CCAS. The subject of our first "panel discussion" format will focus on writing and storytelling, and will bring together several of our local members from a diverse range of storytelling backgrounds. So far, our list of panelists includes myself and Ralph Miley from Newcreationnow.com; Eric Jansen (self-publisher of God & Country Graphics, and also tract writer for Foursquare Missions Press); Josh Burns (a script doctor, and leader of a church drama ministry); and Buzz Dixon (animation screenwriter, and creator of the "Serenity" Christian manga series.)Here's where I'm hoping for some feedback from the rest of CCAS. What subjects would you like to see covered in a panel discussion of Christian writers? Submit your questions here, and I'll collect them for our panelists. We'll try to cover as many as we can, and we'll share the results here online later. (At the moment, we don't have the resources to do live streaming of the workshops for "live" participation here, but we'll do our best to post the recording of the panel in a timely manner.)God bless!
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Catching up

Well, it's been awhile since I've posted anything! My work schedule at my day job has been brutal for the past year or so, but it's starting to let up a little. But even if it doesn't, I'm making a renewed effort to make time for fellowship and creative projects regardless of my workload at the printing company. I can't let that keep taking over my schedule like it has been -- all work and no play (and no sleep and no exercise and no social life and no ministry opportunities) isn't an ideal arrangement.It's been so long between my posts here that the interface always has some change or update since I last logged in. It took me until today to find where the "approve friend request" button had been moved to. And wow, did I have a backlog. Sorry about that, folks! Lord willing, I'll be a bit more social on this social networking site in the weeks ahead.
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Summer already?

Well, my blog update schedule is about what I expected -- stopping in to give an update once every few months.What can I say? I spend all day sitting in front of a computer at my day job, then come home to try squeezing in some comic book scripting on my computer at home. By that point, I flee from any further time in front a computer, unfortunately making blog updates to be an exception rather than a rule.Things have been busy lately. I've got a couple books in production with New Creation Entertainment at www.newcreationnow.com, and I've been writing articles for their website as well. I'll also be attending the big comic-con in San Diego, and will be helping out at the small press table shared by CCAS and New Creation. I'm looking forward to it!
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Spring already?

Wow. Springtime is here already.I honestly have no idea how other creative types can keep a daily blog. I'm doing good if I update my pages every few months.Maybe it's my job. I work all day doing digital graphics production work and preflighting for a printing company, so I'm stuck behind a computer for a good 8 or 9 hours every day. So when I finally get some time to work on my personal creative projects or ministries, the last thing I want is to sit at a keyboard again.Still, I'm glad to read the frequent postings of others here. Great to see so many creative-types glorifying God with their talents online.Future postings on the status of my own projects currently under development will be along eventually -- Lord willing.
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2008: Happy New Year!

Hi everyone! I hope y'all have enjoyed the Christmas holidays and had a happy start to the new year. I confess that I've been letting my web presence here sit idle since this CCAS site went online -- mostly because I already spend all day in front of a computer at my job and thus am very reluctant to spend more time at a computer updating blog entries or forum discussions after a long day of work.

But now it's a new year, I have a rare day off of work, so now's as good a time as any to dive in. I don't know how frequently I'll be able to update this blog, but we'll see as 2008 unfolds.

Nothing big or important to share as my first blog post, other than to note the fact that I've always disliked the word "blog", but I guess I'm stuck with it. Seriously. The word makes me think of something smelly and squishy, like a "blob" or a "bog". In fact, I think it would have worked fine as a name from Marvel's old monser comics: "Beware the wrath of Blog, behemoth of the swamp!"

That's all I've got to start with. God bless you and yours in all that lies ahead for 2008!
-- Kevin Yong
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