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Billy Wamsley's Posts (61)

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Brave

Generally speaking, my father was not what I would call a brave man.

My father suffered from several phobias. He was afraid of heights, which dictated that after I turned 12, everything to be done on a ladder would be handled by me with him nervously looking on.

I’ll never forget when "we" painted the house when I was 17. "We" sure spent a lot of time by myself. Oh, and my favorite part was when it was time to paint an area of the house unreachable by the ladder, and my father tied a piece of clothesline around me (to - HA! - catch me, just in case) as I went out on the roof. It was only better when, after I finished, I came in the window to find my father had left the room and TIED THE CLOTHESLINE TO A DOORKNOB.

I’m sure that the clothesline was strong enough to catch me from falling two stories, and that doorknob would’ve held. Yep.

Where was I?

Oh, yeah. My father was also afraid of bees and hornets. Actually, with good reason, since he was allergic to bees. The hornets? Well, hornets are just mean, you know? Still, it is something to see a grown man run into his home, and LOCK THE DOORS (because, you know, the bees - they can work the doorknobs), abandoning his family (’cuz the doors are locked, you know) to deal with the angry insects on the outside.

And, there was also the claustrophobia. Closed in spaces drove my father into near fits of madness. One time, my father went through a huge mall in less than 15 minutes on the day after Thanksgiving, just plowing through until he got out the other side. But, that was nothing compared to our trip to the Smithsonian and the National Zoo... in one day.

No, I never really considered my father to be brave... until sometime in the last couple of weeks.

I was thinking about some things, and I realized that my father, at the age of 47, after avoiding it for 30 years, surrendered to God’s call to the ministry. And, then, being unable to be ordained in his home church (as a divorced man that remarried), he had to seek out a different denomination, and, with no connections or support (other than God and his family), he entered the ministry.

Looking back on it... wow. That took guts. That was overcoming fear. That was stepping out in faith.

It was brave.

I can only hope that somewhere in me I have that. I need that.

I’ll type at you later.

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Argh.

My head hurts.

I just had one of the most confusing conversations... ever. I’d try to explain it, but I’m afraid my head would explode.

I hate when that happens.

You know, you are going along, thinking everything is normal, and someone walks up to you, and you think they are normal, and then, suddenly, you are trapped in a conversation you are sure is being spoken in Tolkein’s Elvish language or Sanskrit.

So, you find yourself kinda squinting at the other person, more watching their lips move than listening (because there is NO chance that will help), and maybe praying just a little bit for the sweet release of death before it comes time for you to have to formulate a logical response to a question born of the chaos of the other’s enigmatic mind.

Then, invariably, the creature in front of you stops speaking, obviously awaiting brilliance from your own mouth to flow out. You try to formulate the response, walking that fine edge between saying "I have no idea what you are talking about" and "I’d rather drive a pen into my own ear than continue speaking with you."

And, in appreciation of your effort of trying to be tactful, what do you get? You get a questioning look and are required to try to translate what you just said from English (your native language) to Crazy (their native language).

I have an expression I’ve come up with. I know it is completely original, for it was born of these situations where you are trying to explain something and the other person does not quite have the grasp linear thought to catch on.

It is like trying to teach a horse to knit.

It just popped into my head one day after an exchange with a coworker. I don’t know why I picked that turn of phrase, but it seemed to fit my feelings at the moment quite well.

Now that I’ve vented a little, I just need to relax and desperately try to stop replaying the conversation that inspired this rant in my head. Because, there is still a chance my head could explode.

And, as I said, I hate when that happens.

Type at you later.
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Random

Wow, a full week between blogs. My apologies. I did not intend for that to happen.

It has been a busy week, so this is just a random thought kinda day here at Earth G.

I recieved some software this past week that should help me build my website for The Crimson Scarab webcomic. It took me a while to find a good and reasonably priced program, and it took longer than that to accept that I wasn’t going to be able to take my limited knowledge of page building and do it myself. If you have visited www.crimsonscarab.com, then you’ve seen pretty much the extent of my abilities. Hopefully, with the help of the newly arrived software, you’ll start to see a more dynamic page soon.

I’ve also recieved an amazing book this past week. How To Make Webcomics is the product of four authors, all of whom have successful webcomics of their own. I almost didn’t bother picking up this book, since I’ve been disappointed with the other books on the subject matter I’ve purchased over the last year. Luckily, the site I order my comics from was offering it at a discount, so I bit.

I’m glad I did.

This book actually gives me a lot of information I need. Technical questions I had that I couldn’t find answers to are addressed in the book, as well as questions I didn’t even know to ask! It is also a straightforward kinda book that reads easy. I’ve only had it for a couple of days, and haven’t gotten deep into it yet, but I can already tell this is going to be a valuable book for me over the next year.

I have to buy a scanner. My current one has... well, some sort of "burn" mark in the image scan. I suppose, given that it is about 10 years old, it has done its time. Given the cost, along with some other purchases I have to make, it won’t be something I can pick up this week. May be a few weeks away. So, there is a new tentative starting month on the Crimson Scarab... but I’m not saying when yet. I don’t want to say "May" and miss it, and I don’t want to say "June" and procrastinate... so I’m just holding off until I can firm everything up.

Wizard World L.A. is taking place this weekend. So far, nothing I’ve been interested in has been announced. Spider-Man stuff, but I dropped that book.

Alright, that’ll do for now. I’ll type at you later, hopefully not letting an entire week pass!
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Who watches...?

This past week, comic fans were treated to the first look at the actors in costume for the film adaptation of the Watchmen comic book series, coming out in 2009.

I have not been looking forward to this film.

Many of you familiar with me might find that unusual. I tend to look forward to comic films, and am quite often disappointed not merely because they aren't good, but because I've also built the film up in my head, knowing how good it could be.

Superman Returns, anyone?

Watchmen, though, you have to understand, is different for me.

Watchmen was written by Alan Moore, who is quite vocal about his comics not being meant for film translation. And, in truth, they don't usually fair well in the process. One need only look at the unwatchably bad League of Extraordinary Gentlemen to see that.

See, Alan Moore makes no apologies for writing for comics. As such, he actually writes FOR comics, using the advantages of the medium - pacing, visual cues and tricks, textual emphasis, etc. The fact is, many of those advantages can't be translated to the big screen, making a film adaptation inherently disadvantaged.

So, you may ask, why am I okay with Batman and Spider-Man and others being translated to film? Why am I far more hopeful with those?

Those characters, by virtue of coming out in multiple monthly doses, tend to not use the craft of the comic medium to the extent that one time, limited series do. I mean, Spider-Man comes out with 22 pages, three times a month! Watchmen was a twelve issue limited series. The characters were used only for those twelve books, and that was it.

It isn't to say that all Batman or Spider-Man stories can be adapted for film. There are prestige projects and limited series that DO use the medium. Off hand, Return of the Dark Knight (Batman) and Kraven's Last Hunt (Spider-Man) are two stories that I don't think should ever be attempted in other forms than on a comic page.

In my opinion, and just mine, Watchmen is probably the one piece of comic literature that takes full advantage of the comic medium.

Yeah, I'm say that Watchmen is the best example of what a comic book can be.

Others don't agree, and that is fine. For me, though, I've never seen anything that uses the medium better. There is a reason I own only one Absolute Edition hardcover of a comic project, and there is a reason that it is Watchmen.

(By the way, yeah, it is beautiful. These Absolute Editions are pretty amazing.)

And, right now, I'm sitting here, realizing that this wasn't even what I was going to talk about in this blog. Let us get back on track, and I'll close out. In case you haven't seen the images of the costumes from the movie, here is a look.

Rorschach in the movie:

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Rorschach in the comic:

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Okay, really, the only way they could ruin this one was to put the character in spandex. Regular clothes, an overcoat, a Fedora, and a mask is all they needed, and, thankfully, that is what they went with. I've heard that the constantly changing shapes in the mask will be CGI, and I'm curious about how that will look on the screen.

The Comedian in the movie:

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The Comedian in the comic:

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I'm actually pretty pleased with this. It is nearly identical, and Jeffrey Dean Morgan looks like he can pull this off. I do hope that the white hair at the temples doesn't look quite as sprayed on in the film, but given these are still promo shots, it is easy to pick up on problems like that.

Silk Spectre in the movie:

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Silk Spectre in the comic:

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The first major departure from the original material. Understandable, really. The costume in the comic is essentially a swimsuit under a translucent raincoat. Not that the movie costume looks any less ridiculous, but I can see that it may come across better on screen.

Ozymandias in the movie:

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Ozymandias in the comic:

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Another major departure, and this one I do have a little bit of a problem with. Don't get me wrong - the comic costume probably wouldn't work in the movie. That much gold/yellow would probably look bad on the bigscreen (which is the reason you'll never see Wolverine in his yellow costume in a film). The problem is that the movie costume is TOO dark. It needs to be a lot lighter. In the comics, there seemed to be a reason for this, never overtly mentioned, but one I percieved. The dark kinda ruins that. (And, yeah, I'm being vague on purpose, so I don't spoil anything for anyone wanting to read the comic or see the movie.)

Nite Owl in the movie:

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Nite Owl in the comic:

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Wow, HUGE departure here. I understand it, but, wow. The comic costume was too plain for the movies and that cowl/cape probably would have hindered the actors vision. Still, this was the schocking costume for me. Kinda Batman-ish. It seems a little much to me, but I'm willing to give it the chance. Maybe it will grow on me.

There you have it. The first look at the characters in the film. I'm still doubtful about the movie, even though I know the makers of the film are trying desperately to stay close to the original material. But, give me credit - I am trying to hold off judgment.

It isn't easy.

I'll type at you later.

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Lies

The other day, I was listening to NPR (yes, National Pretentious Radio), which I do on occassion.

Now, mind you, I was barely paying attention to the radio at the time, so I have no idea what show was on or any vital details to pass along that might help you find out more about this story. Sorry.

Anyway, I was listening, and they were talking to a man who was one of two men that conducted surveys a while back that, theoretically, tested how honest people were with themselves.

What they did was assemble a bunch of statements that were highly embarassing, incredibly intrusive, possibly offensive, and potentially criminal. All were true and false statements. I can only remember to of them - one embarassing ("I really enjoy my bowel movements.", and one offensive ("I've fantasized about raping someone and/or being raped").

The men who did the survey worked from the assumption (and, it is a big one) that if a person answered "false" to any of the questions - *any* - they were lying to themselves.

Like I said, BIG assumption.

Now, why did I bring that up? Well, the radio program continued, and talked about, if I remember correctly, a swim coach from a few years back that issued the survey to her swim team at the beginning of a season. At the end of the season, she compared the responses on the survey to the swimmers' performance throughout the season.

Down the line, with no exceptions, the best performers turned out to be the ones that the survey insisted were least "honest" with themselves.

In interviews with the students on the swim team, they talked about how, when they were at a swim meet, they believed they were the best there, that the could not be beat. Or, as the survey would have us believe, they were lying to themselves.

And, because of that, they performed better. According to the original composer of the survey, this had been proven true regardless of the field a person was in - medicine, business, sports, etc.

Further, it was also noticed that the people who were supposedly less honest with themselves also turned out to be happier people.

That's right - more successful AND happier.

The program ended talking about how the more honest a person was with themselves, the more they see the limitations and dark truth in the world, which accounts for the diminished happiness.

First off, I don't buy the whole thing. I think starting with assumptions of what would be "universal" truisms in the survey is what makes the study bunk. But, that isn't my biggest gripe.

Back in high school, I had a history teacher that talked about P.M.A. - Positive Mental Attitude. He really believed that if you went into taking a test with a positive mental attitude, you would do better than if you believed you would fail.

I think that the correlation between the survey and the swimmers has more to do with having a positive mental attitude, rather than insisting the participants are lying to themselves.

In my mind, there is a subtle difference.

Because, see, those that performed well, the ones that "lied" to themselves? Yeah... hate to use circular reasoning, but they actually did NOT lie to themselves... because, when all was said and done, they actually met their own expectations. They believed they were the best, and guess what?

They were.

Do we lie to ourselves? Sure. I just find that this faulty survey and the correlating results are a massive stretch. I don't find that being positive is equal to lying to myself.

I just don't buy it.

Having a positive mental attitude helps us to rise to the occassion. I would argue that a negative attitude actually hinders us from what we can do by convincing us that we can't handle something.

Now, that, to me, sounds like a person lying to themself.

Type at you later.

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Agony

I've pulled a lot of muscles in my lifetime, but I don't think there are any worse to pull than those in your lower back.

I made the big statement about releasing myself from my daily blog commitment so that I could work on a lot of other stuff that needed doing... and, this past week, I do something to my lower back.

Not to say I haven't worked on the other things. I have. Actually, I've done a lot. Unfortunately, I also intended to post blogs a couple of times this past week, to show I wasn't completely abandoning it.

That didn't work out so well.

I spent most of my free time this last week searching for that one single position in which I could sit or lay without having any pain. You know - that elusive position you are sure exists, that you think you almost had a couple of times, but then you had to cough, or clear your throat, or breathe... and, poof, it disappeared?

Yeah.

With it being in the lower back, it just seems like every single thing I do irritates... and I simply have to ride it out.

You may be wondering what it was that I was doing that caused my pain. You may even guess that it was the swimming.

You would be wrong.

No, sadly, nothing that taxing. I simply fell asleep on the couch. Then, when I woke up, and I started to get up, pain shot through my entire body.

It is a sad day when sleeping causes this much pain.

Oh well. The pain has to let up sometime, right?

Type at you later.

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Larry Norman passed away on Sunday.

Larry Norman passed away on Sunday at the age of 60.

It isn't that I was a huge fan of Larry Norman in particular. I don't want to give that impression. And, I'm not going to rush out and become a huge fan now, to become something I wasn't before.

But, I do believe that without Larry Norman, most of what we know of as contemporary Christian music would not exist, or, at the very least, not exist in the way we know it.

See, I'm not a Larry Norman fan, but I am a fan of many artists that were fans of his. Fans that were inspired by him to become musicians in their own right. Directly, I know that Keith Green and Randy Stonehill, favorites of mine, were very inspired by Larry Norman. I know, also, that artists like Geoff Moore, Audio Adrenaline, and DC Talk were all influenced by him.

I can understand the progression, and respect the line. I wasn't a fan, no, but I know Larry Norman's place in history. My favorites are my favorites because Larry went there first.

For that alone, I am grateful for what he did on this earth. Now, Larry has gone on to his eternal reward with the Lord. Luckily, the footprints he left can still be seen.

You can see his final thoughts to his fan on his website, LarryNorman.com.

Goodbye, Larry, and thank you.

Type at you later, folks.
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A change.

Well, I guess it is time to admit it.

Given all I'm trying to do right now, I'm going to be missing some blog posts.

I'll still post as often as I can, but a daily dose of my wit is unlikely. (Some would argue the daily dose of wit was unlikely when I was committed to daily posting, too!)

This next week is going to be particularly busy. I've got to finish my submission for the Alpha Omega APAzine, my sister just informed me I've been drafted to draw giant farm animals for the pre-school choir's upcoming program, I've got a few commissions that I have GOT to finish (you know who you are... many apologies, folks), along with the ever looming Crimson Scarab premiere, and, well, something's gotta give.

I'm not disappearing, though. In fact, I think, for the most part, you won't even notice the missed days. I'll try not to make them two in a row, anyway.

The fact is, as long as I'm doing something worthwhile, I don't mind missing the blogs. Now, if I just got sick of doing them, or lazy... well, that would be something else entirely.

It is all about the creative outlet for me. As long as I'm doing something, that creeping feeling of no forward movement doesn't set in. That's a good thing.

So, fret not, folks. I'm still here, and I'm sticking around. Besides, seven days a week of me? That's a little much for anyone.

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Who?

Wondercon is taking place this weekend.

Its a comic book convention in San Francisco, in case you were wondering.

No, I'm not there. Maybe I'd like to be, but no.

Generally speaking, Wondercon doesn't get a lot of huge announcements from Marvel and DC. Those are being saved for what I would think are considered the Big Three of the Cons - The New York Comic Con, The San Diego International Comic Con, and Wizard World Chicago. New York is in April, Chicago is in June, and San Diego is in July.

(On a side note, Wizard World Chicago is usually in August. Traditionally, it has been the show that the biggest announcements in comics are made. With it taking place now a month before Comic Con International, I expect that to change. I would guess that San Diego can now be expected to make some really major announcements. Good news for me, since I hope to be there!)

Where was I? Oh, yeah - usually, there aren't huge announcements made by the Big Two of the comic book industry at Wondercon. Teases? Sure, but straight out answers? Not so much.

And, thus far, the news flowing out of Wondercon is pretty much par for course this year. There was one huge thing that I heard, though. DC is planning a Who's Who update.

For those of you who don't know, Who's Who in the DC Universe was a 26 issue set of biographies of the characters that were released in 1985.

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It was followed up with updates in 1987 and 1989, spun off to a Star Trek comic Who's Who, and a Legion of Superheroes Who's Who later. A final update was created in the 1990's, but was made up of packs of loose leaf pages and binders, as opposed to comic book form.

And, that was it.

I love these, though. Well, the comic book versions, anyway. I never got into the binders. They are just entries with an image of the character, telling their powers, personal information, and history. So simple, but so much fun.

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As a matter of fact, I'm getting ready to send off a set of these comics to a book binder so I can have them conveniently in hand like an encyclopedia.

As I said, though, they haven't had an update in almost 20 years! As much fun as my originals and updates are, they are hopelessly out of date. Characters have died, resurrected, and died again since then! Other superheroes are completely different people now!

I NEED AN UPDATE!

At Wondercon, a fan asked straight out about a Who's Who update, and was greeted with a plain "Yes" as an answer.

Woo hoo!

Of course, with my luck, it'll probably be in loose leaf form. Still, I'd take that at this point.

No word as to when these can be expected, but I would guess it will probably be shortly after then next huge event in DC, Final Crisis. That way, they can be billed as a roadmap of sorts for the new DCU.

I'll type at you later.

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Every year.

I debated a lot about writing this. It is a very personal sort of matter, something that I've had to deal with for a long, long time.

And, it is a little bizarre.

And, possibly, a little creepy.

Now is the portion of the blog where I break into the joke, where I reveal my love of the song Sold (The Grundy County Auction Incident) by John Michael Montgomery (despite my hatred of country music), or I talk about why I shower in the dark, or some other such inconsequential nonsense that is part of my character but doesn't really affect anything.

Only, this isn't one of those kind of postings.

You know, it is amazing, even now, how hesitant I am to type about this. I actually find myself pulling my hands away from the keyboard every once in a while.

This is a rough time of year for me. In less than a week, the third (Is it only the third? Is it already the third?) anniversary (which is far too festive a word to use for this) of my father's death will pass. And, I, for one, am tired of his visits.

Threw you there, didn't I?

Yeah, well, you should try to be on my end.

Now, before you start getting really concerned for my well-being and personal sanity, let me explain. After all, this is Therapeutic Thursday (cheaper than counseling!).

I know I'm not being visited by my father. My father has gone on to his eternal reward in Heaven, thanks to his acceptance of God's gift of grace through his Son's death and ressurection.

Instead, I have dreams in which my father is manifested by my own mind.

And, yeah, they come every year about this same time. Usually only one dream, but just enough to rock my world for a while.

What does this manifestation of my father do in these dreams that warrants my decidedly gruff opinion of wishing the visits would stop? Hmm... before I get into that, I need to give a little background.

I loved my father, love him still, but I've never been under any illusion that he was more than human, with failings and weaknesses while on this earth. Unlike what you hear about a lot of people from their family after a person passes, I did not ret-con his life to an idealized thing.

My father did some great things, and some bad things. He did his best most of the time, but his idea of the "best" wasn't necessarily really the "best."

Picture it: Spring, 1988. A young boy, 12 years old, comes home from school, about 2:30 p.m., talking about a report he is to do for a class about his future career. The boys love of drawing and art dictate that the report should be in that direction, and the boy is excited having chosen to write about his future career as a comic strip artist.

His father, from some place of love, I'm sure, decides that it is time to set the young boy straight about the difficulty of such a career quest in the real world and the boy's actual ability. I'm sure that father only attempted to try to protect his son from future hurt... but that did not come across.

Instead, the "talk" shatters the boy, rocking him to the core, knowing his father had no faith in him. It is only amplified, when, at 3:15 p.m., before anything can be smoothed over, the father leaves for work... leaving the crying child with his mother.

Within 45 minutes, a boy goes from pure joy and hope in his future to completely knowing there is no hope. 45 minutes to the loss of that innocence. And the father never, ever really understood what he had done.

Sure, the boy continued to draw, but not with the same joy.

He would shortly change his mind, decide to focus on science with thoughts toward eventually working at NASA. Then, a few years later, God would call him into ministry, but without a specific direction. He would go to college, with plans to major in Christian Studies and minor in English. It is during orientation that his father asks him why doesn't he minor in art, since he was into that.

The boy, in a completely impulsive decision, tells his advisor that he wants to double major in Art and Christian Studies. He knows that he is behind where he should be, in skill level, since art had become a hobby for him, a thing to do in free time but not worked at, but he can't resist this glimmer of encouragement from the same man that shattered his dreams five years earlier.

It was a pretty good decision, since the area of ministry he was called into depended on him becoming more serious about art.

Now, I didn't tell you any of that to evoke a "poor Billy" response. I've dealt with this, and that isn't why I told you.

I told you because, likely thanks to this event, the manifestation of my self-doubt has, since my father's death, taken his form. And, once a year or so, I get an entirely unpleasant visit in my dreamscape from my self-doubt, clothed in my father's skin.

Yep. And, yeah, it is messed up.

I won't go into the details of the dreams, because, frankly, I don't remember them. They are whisps at the edge of my consciousness that I cannot retain. What does stick, though, are the words of Father Doubt.

I have had one dream this year, over the past weekend, and, hopefully it will be the last. At least, I hope, for the year, because, regardless of knowing that this is not my father, it still hits me hard and I need time to recover.

What kind of message did I receive this year? Well, it does change a little each year, but this year, my fake father basically said, "Okay, Billy, I think its time to just put away all these dreams of yours and get a real job, with real benefits, so that you can have some sort of future."

I put quotes around it, but it was more of a paraphrase.

It sure didn't help that I've been sick this week, either. It never rains but it pours, right?

Nevertheless, feeling better today, I move forward, dismissing the self-doubt, regardless of the form it takes, and press on.

But, honestly, I can do without another visit.

Seriously.

I'll type at you later.

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Ugh.

Well, folks, I'm sick, and I'm not feeling up to posting today. I was going to, really... but the longer I sit in front of this computer screen, the more I fear I'll ruin the keyboard. So, sorry, and I'll type at you later.
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Remember

It was just after Christmas Break, the first day back to school. I was a Junior in high school, so it wasn't the first time I had ever returned from a break, but it was different.

Different how? That's kinda hard to explain. Walking back into the school, it felt darker, more oppressive than before.

More so than high school usually felt, of course. As someone that never really enjoyed high school (loved college, though), I was used to feeling trapped there.

This was worse.

During the break, I had the opportunity to go on a winter retreat with the youth group from my church. It was only four days, right near the end of the break, but it was such an amazing, wonderful time of spiritual renewal. A real mountaintop experience.

Returning to school was such a jarring difference from the winter retreat that I was hyper-aware of the spiritual darkness of the school; it was quite disconcerting.

A big part of me was very sad to be heading into a valley so soon after the mountaintop experience.

I was reminded of this at the recent Mark Lowry concert I attended. Mark made a statement that I think has much wisdom in it - remember what you saw in the light when you are once again in the darkness.

We are all going to have dark times, but we can make it through them if we remember all those amazing things that God showed us when we were in the light.

Walking into my high school, I allowed the darkness of the world to squash what I had experienced beforehand. If I had only held tight to that previous experience, I probably would have fared much better. I'm sure my attitude would have been better.

I think the same idea can be found in our creative pursuits as well. We need to remember the times when things are going well, when the words flow freely, when the drawing is easy... so that when we hit a block, when we can't put together a single sentence or draw a straight line, we don't become disheartened. The creativity will flow again.

I'll type at you later.
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All-Star Game

I really don't like the NBA All-Star Game.

I say that, not knowing who won tonight, because I left for work before it ended. But, regardless of who won, I still don't like the game.

Or, maybe I'm overstating it. Maybe it isn't dislike, but, rather, that I simply don't care about the game because it doesn't matter. At all.

Which, essentially, is exactly what it is meant to be - a game that is just a show, a celebration of all that is the NBA.

But I think it is just a chance for players to get injured, a chance for them to risk the second half of the season.

The weird thing is, I do like the other aspects of All-Star Weekend. I like the skills challenge, the shootout, the dunking contest, and the three point competition. I know there is a chance for injury in those as well, but not like in the All-Star Game.

In the All-Star Game, you get about 40 minutes of just showing off. No real defense at all. Then, that last eight minutes the teams seem to play as if it matters.

As I said before, it doesn't.

That's where I always fear the injuries will come in. As the competitiveness sets in, players really start to play. Things can get rough, and I, for one, would not want to hear about one of the Pistons being injured in the last two minutes of a game that doesn't matter, that probably has a score in the 130's or 140's.

That would be a shame.

So, I just sorta ignore the game and hope that it doesn't go badly. After all, the Pistons have three of their starters in that game, and they were on a 10 game winning streak before the All-Star Break. It'd be a real shame if any of them were hurt in an exhibition game like this.

I'll type at you later.
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Plot and Character

Generally speaking, in stories for comics, there are two types - plot driven and character driven.

Sure, you can have stories that blend the two in various ways as well, but, as I started out, I'm talking in generalities.

I'm also of the belief that neither is better than the other, but, rather, that there are situations in which one works better than the other, and other situations in which the other works better.

In a character driven story, the focus is on, obviously, the character. Things happen around the character, but they are secondary to how the character reacts to and handles the situation. It is all about the character's development and the audience learning about the character.

In the plot driven story, the focus is on the events. The characters are there and we may learn a little about them through their actions and behavior, but only on the peripheral. The goal is to get from the beginning to the end of the story, emphasizing the beats of the story as you go along.

Those explanations are very simplified, and leave out much of the nuance that each type of story has, but for a single blog entry, they will suffice.

I said that each, in my opinion, work better in different situations. I think that, especially with a brand new character, a brand new comic, having a plot driven story is important. I know - it sounds weird. If it is a new character, shouldn't a writer focus on teaching the audience about the character? Isn't it important to get the audience to like the character?

My opinion? No.

Don't get me wrong - a writer should take advantage of the opportunities to develop the character, but I've seen a lot of new comics that spend the first three issues giving the history of a character, their family, their likes and dislikes, and they plod along and quickly lose my interest. They scream "Like me! Relate to me!" They stink of desperation that reminds me of those images of speed dating we've seen - where a person has minutes to try to impress another person enough to get a second chance with them. It is just too much.

If you start out with a plot driven story, though, it is more like going to an action movie. Let's face it - the average action film in America doesn't do much to develop their characters. The movie starts, we see the obvious bad guys doing something bad, the hero comes on the screen, shouts a couple of great one-liners while stopping the bad guys, and we leave the theater happy. We don't know everything about the hero, but we enjoyed ourselves, and if there is a sequel, we'll probably go see it.

Which, in a story with a brand new character, is what I think you should shoot for. Write a good story that captures the audience, and they will come back. That's when you can really start blending in some character development.

And, that's important. If you don't start moving toward character driven stories, you can lose the audience later on. That's why most action films can't make it past two sequels. I mean, how many times can you watch the same hero stop the same villains (with different accents) while shouting similar one-liners? When does that just become too much?

There are exceptions to the rules. Aren't there always? One of my favorite TV shows of all time, Law & Order, has existed using about 95% plot driven stories.

The exceptions notwithstanding, I think the plot driven stories are essential at the start, moving toward the character driven stories, and then a nice blend moving back and forth through the rest of the run.

Of course all of this is merely theoretical. When pencil hits paper, everything can change.

I'll type at you later.

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(A request - my favorite pulp hero, The Phantom!)

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Things

Alright, this one is going to be short. I was at a Mark Lowry concert tonight (yes, it was really good), so I'm kinda doing this on the fly. In fact, this I'm doing this when I have a bunch of things I ought to be doing instead. Hmm... I bet I can think of five without trying too hard!

Five Things I Ought to be Doing Right Now Instead of this Blog!

Thing the First - Commissions!

I'm a lucky guy. A few people have asked me to do some drawings for them, and, I swear, I'm working on them when I can. Sadly, being dependent on "The Man" (ie, my employer) for "The Cheddar" (ie, cash) to pay "The Bill Collectors" (ie... actually, that isn't slang, so ignore the quotes), doesn't allow as much time as I'd like for independent endeavors. I do appreciate the patience of the patrons of my art. Remember: I may be slow, but I'm cheap.

Thing the Second - Practicing my Baritone Ukelele!

Shortly before Christmas last year, I bought a beatiful Buke, promising that I would set aside time to really learn to play it. Sadly, I have not done that, and pick it up all too infrequently. I think I'm going to set aside 30 minutes each morning after work and require myself to practice before I go to bed. I'm not looking to start a new career, but if I can become familiar enough to just pick it up and chord through things, I'll be content.

Thing the Third - Working on The Crimson Scarab Webcomic!

This week has been really solid for me with writing for the Scarab... something that was welcome and shocking. I don't want the momentum to die down, so I'm definitely wanting to work on it. The starting month, as of right now, still remains April, so I want to get as much of a lead as I can, so that when I hit a mental block, I won't worry about being unable to come up with anything by the next day. Man, I really should be doing that.

Thing the Fourth - Drawing!

I haven't done any drawing since I woke up today. The concert kinda took that chunk of time away from me. So, you will also notice there will be no daily sketch at the end of today's blog. I'll probably try to scratch through something before I go to bed, but nothing fit for public viewing. Just something so that I don't get out of the habit.

Thing the Fifth - Sleeping!

Ugh... Fridays are rough. I got home from work about 7:30 a.m., went to bed at 10:30 a.m., and was up at 2:30 p.m. Four hours is not enough, and I'm dragging, but on Fridays, I try to shorten my sleeping so that I'm not up until 5 or 6 in the morning on my days off. Doesn't always work, but it will tonight. I'll be snoozing within the next two hours.

And, if there was ever a cue to end a blog, that was it.

I'll type at you later.
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Valentine's Day

Ah, Valentine's Day...

You know what I miss? Those little cards we used to exchange in grade school.

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One of my favorites.

Not that they don't exist anymore. They are still out there, little pieces of cardboard that come 30 or so to a box, with images of Spider-Man and Mickey Mouse and various other characters touting our love and affection for others.

I remember being in grade school and carefully going through the box, trying to eliminate all of the cards that were a little *too* mushy, so as to not imply to anyone that I liked them.

Yep, I sure did.

The whole situation was nice, though. In our schools, it was required that if you gave out any, you had to give out the little Valentines to everyone in the class, regardless of your feelings for them. That way, a kid couldn't be made to feel bad about not recieving that many cards, because everyone got the same number.

Like I said, it was nice.

I kinda wish there was a similar sort of system in place in the real world as well. Wouldn't it be neat to just be walking down the street, and someone hands you a little card, wishing you a Happy Valentine's Day? Why, I think it would make a person's day.

I wish I had thought of it before now. That's okay. Maybe for next year. I'll pick up a bunch of these cards when they go on sale tomorrow, and plan for it for next year.

Until then, here is a Valentine, from me to you. Happy Valentine's Day!

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I'll type at you later.
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Love

With tomorrow being Valentine's Day, I thought I'd talk a little today about love.

We too easily throw the word around. Back in college, there was this girl that I had a major conversation with about saying "I love you."

Yeah, one of those conversations.

I explained my stance that the words, though easily expressed by others, were much tougher for me, because they meant much more to me.

(And, no, it wasn't just some cheap gimmick to get my commitment-phobic self out of trouble.)

I guess it is the examples of love in my life that keep me from just blurting the words out. Love is not to be taken lightly. With love, there comes commitment, and in that commitment, a devotion that should outweigh self-preservation. When you love, the one you love needs to be more important to you than you are to yourself.

If it isn't that way, is it really love?

(Just a rhetorical question. Feel free to ask yourself, though.)

Love is tough. And it should be. It is truly an amazing thing, and there should be a cost to it.

There was, after all, for God.

Romans 5:8 -

But God demonstrates His own love toward us, in that while we were yet sinners, Christ died for us.

And, if our Lord felt that having a relationship with us was worth His life, that is certainly an indication of caring about us more than Himself.

Just as in a true, loving relationship, we, as followers, reciprocate, by giving our lives to Him. He becomes more important to us than ourselves.

As it should be.

Next time you are in prayer, take a few moments to dwell on what you are really saying when you tell God, "I love you."

I'll type at you later.

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(Woo hoo! Sketches are back up and running!)
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Tait - Lose This Life

Lose This Life, released in 2003, is the sophomore album of Tait, whose lead singer, Michael Tait, is a former member of DC Talk.

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Where to begin? First, let me say, Michael Tait just has an incredible voice. It runs in his family - his sister is Lynda Randle, and if you haven't heard her sing, make the effort. For the most part, the album definitely uses the strength of his voice to its betterment. The only real problem with that is that it also means less focus on the music that is behind the voice.

As a result, the album tends to sound more like a Michael Tait solo album rather than an album by a band. Not that there is anything wrong with a Michael Tait solo album. As I said - his voice could handle it. But, when I hear a band, I tend to expect more than a mere showcase of the lead singer.

The album has several songs that are very heavily influenced in sound by U2. Again, there are far worse things that could be said, but like the focus on a single voice, this is also a detrement.

Now, having said that, understand - I like the album. I really did. I was just left wanting more from it.

The openning song, the "theme" of the album Lose This Life is an okay, upbeat song. The chorus was very strong, but I found the lyrics of the verses to be a little simplistic, and all too rhyme-y (ooh, I like to make up words!) for me.

God Can You Hear Me is a song with fantastic lyrics, and is on the edge of being really great. It is a prime example of what I said when I was wanting "more" from the album. It was so close to being amazing, but just didn't have quite the oomph I was looking for. Maybe I was wanting a harder sound to it, or maybe, at least, a more distinctive sound for it. I don't know.

On Reconnecting, there is more of the distinctive sound I was looking for, particularly when it came to the chorus. A much more driving sort of beat, with strong instruments.

There were aspects of the album that were really great, though.

Heartache is a great song, with such a strong spiritual message. The music is also very good on this. The piano is great, almost haunting.

I also enjoyed Holding Out for Grace. It is a much more subdued sound compared to most of the songs on the album, but I also felt that it was a very good fit.

I was also impressed with the version of Electric Avenue on the album. I might even be willing to say that I enjoyed this version more than the original.

My favorite song on the album, though, and the one that I think has shown a real potential for the sound of the band, would have to be Numb. Great lyrics, a driving guitar, fantastic message. This song made me want the rest of the album to live up to it.

There is also a bonus "hidden" track on the album - and since the album has been out for a while, I don't feel bad about saying what it is - The Christmas Song. While it doesn't really fit on the album, it does absolutely show what kinda pipes Michael Tait has, and appropriately backs him up with some great orchestration.

(On a side note, listen up musicians - the hidden track thing? Yeah, I'm tired of it. It was fun when it was a novelty, but I'm no longer willing to listen to four or five minutes of silence to get to a surprise. If you wanna put the surprise in, just put it right after the last song. It'll still be a special bonus. When I loaded my Sansa with Lose This Life, I cut out the empty tracks, and lo and behold, I still enjoyed the bonus track. Just a thought.)

On a scale from one to ten, I'm giving the album a solid 7. There is a lot of room for improvement, but the potential is definitely there. When the band finds its "voice," then there will definitely be something amazing here.

As for next time... well, I've come to a decision. Doing these each week is starting to feel like real work instead of just the enjoyment I was aiming for. So, I'm going to do album reviews once every two weeks. Next week, it will be something else. In two weeks, though, (keeping with the post-DC Talk theme) I'll be looking at Welcome to Diverse City by Toby Mac.

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Hopefully, the extra time will give me more of a chance to appreciate the music.

I'll type at you later!

(Sigh... couldn't get today's sketch scanned in. So, here's another old one. I don't think I've posted this one before. I think someone asked me for Darth Maul from Star Wars as a member of the Sinestro Corps. As for the pose... I don't know. Maybe he's dancing a jig? Oh well.)

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Crawling

Sometimes, just getting into the right position is the biggest problem.

I have, in the past, had to pass up certain opportunities just because I wasn't in the right place to take them. The biggest was probably the opportunity to move to New York.

Yeah, that's right - I almost moved to New York.

It was a rather odd set of circumstances. There was a youth ministry position at a church in New York, and, at the same time, there was a film being made in New York. I had applied to both, at a time when I was applying for just about everything in the world, just after college.

Imagine my shock when both were interested in me.

The youth ministry job was part time, and the position with the film crew was, basically, a jack-of-all-trades job on a Christian film. Both positions seemed to be willing to work around each other.

Sounded great, huh?

The thing was, just out of college, I was in no shape financially to make a move like that. Forget about the cost of the actual move, but the cost of living in New York, along with my lovely student loans, my credit card... it simply wasn't feasible.

It was then that I realized that just desperately sending out my resume to get *anywhere* wasn't going to work. Honestly, I wasn't interested in working on a film set, nor did I really feel a calling to youth ministry.

I realized that I needed to figure out where I wanted to be, and then I needed to put myself into a position to where I could jump at an opportunity when it presented itself.

The first part wasn't too bad, because God eventually led me to what He wanted me to be. The second part? That was a chore.

It took time, and effort, and there are still things I'm doing to put myself in the proper position. I want to be ready for when it is time to move.

I was recently watching an episode of *Dirty Jobs* on the Discovery Channel, and they were at the Kennedy Space Center. The focus of the show was on the Crawler.

In case you didn't know, the Space Shuttles don't just taxi up to the launch pad on their own prior to launch. Nope, they have to be carried.

No small feat when a Shuttle, minus its payload, weighs 4.5 million pounds.

Enter the Crawler.

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The Crawler is a massive tracked vehicle that carries a Shuttle from its bay to the launch pad, about a five mile trip. At the blazing speed of approximately one mile an hour.

That's right - one mile an hour. Your car idles faster than that. Not only that, but the average walking speed of a human is three miles an hour, so you could concievably start walking from the bay to the launch pad at the same time as the Crawler, get to the pad, remember you forgot your lunch, walk back, grab the lunch, walk back to the pad, and be there just as the Crawler arrives.

That is how fast the Crawler moves. While its loaded, anyway. Unloaded, it can race away at two miles an hour.

Kinda weird to think that you have to go a mile an hour in order to get a vehicle that will eventually travel over 17,000 miles an hour into position.

Without the crawler you couldn't have that amazing liftoff. It is necessary.

Before we can really take off, we also have to get into proper position, and, yeah, it sometimes feels like we are moving at one mile an hour. Its a lot of heavy lifting, and it takes time. When you think about it, though, the payoff is definitely worth it.

Do what you can to prepare for launch, so that when the time is ready, you are set to go.

Type at you later.

(Note - Right here you usually see a sketch. I did complete it, but wasn't able to get it scanned into the computer. So, in its place, I've included an old sketch I did of Harley Quinn that someone requested for a birthday, right after this little explanation. To tell the truth, the daily sketch may fall victim to my lack of time... I like the daily sketch, but it may become less frequent as I try to focus on other artistic endeavors, such as a certain webcomic. I'm still debating that. It is a "wait and see" right now.)

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